JVC Pro HD

Pro 3D Handheld Camcorders Comparison

Written by Tim Dashwood on June 14th, 2012

Tim Dashwood, pictured here with a vintage 1950′s Kodak stereo film camera in Times Square, delivers an overview of today’s affordable 3D video production camcorders. Tim: “It amazes me how far consumer technology can evolve in just a two year period. In 2010 Panasonic officially announced the AG-3DA1 stereoscopic 3D camcorder, the first of its kind. I was fortunate enough to gain early access to the prototype and use it in a few productions. Its stereoscopic use was of course limited by its interaxial separation and zoom range, but it was the first time a stereoscopic camera operator didn’t have to worry about geometric or colorimetric alignment on set. In early 2011 the consumer divisions of Sony and JVC quickly released inexpensive handheld stereoscopic 3D camcorders the HDR-TD10 and GS-TD1, respectively.” You’ll want to dive right in and read the rest of his review.

A Beginner’s Guide to Shooting Stereoscopic 3D

Written by Tim Dashwood on May 1st, 2010

This article was Originally published in FCPUG Supermag #4 (April 2010) and on Dashwood3D.com Updated and Revised September 2011.  All images ©Tim Dashwood unless otherwise specified. 3D is back in style again and it seems like everyone, from Hollywood producers to wedding videographers, is interested in producting stereoscopic 3D content. So how can you get involved Read More

JVC GY-HM100 & GY-HM700+Canon 14x Lens Field Test

Written by Tim Dashwood on April 28th, 2009

The day before the JVC booth opened to the public I was granted a few hours of access to both a release version of the GY-HM100 and the GY-HM700 with the Canon KT14x4.4B KRS zoom lens.   The Canon 14×4.4 zoom lens won’t ship until June and there were only a few made available for NAB Read More

JVC NAB09 Booth Debrief

Written by Tim Dashwood on April 28th, 2009

This year I observed most of the NAB show from a fixed position at the JVC booth. I had been asked by JVC to answer questions and demonstrate the new GY-HM700 cameras in 24P cinema configurations.  A Final Cut Pro system was also close-by so I was able to demonstrate the speedy workflow from recording Read More

Inside the JVC GY-HM700 Menu system

Written by Tim Dashwood on April 9th, 2009

http://www.youtube.com/watch?v=PaFd7w9sfks http://www.youtube.com/watch?v=7mphRReLe3U http://www.youtube.com/watch?v=AD6xSm4bOOs

JVC ProHD GY-HM700 An In-Depth First Look

Written by Tim Dashwood on February 16th, 2009

JVC Professional Products has finally unveiled the highly anticipated GY-HM700, its first shoulder-mounted solid-state ProHD camcorder and “big brother” to the recently announced GY-HM100. This camcorder represents a first in the professional video industry by combining technology from JVC, Sony and Apple into a single product (not to mention the superb new bundled lens from Read More

JVC ProHD GY-HM100 Sneak Peek

Written by Tim Dashwood on January 22nd, 2009

I was one of the fortunate few last week who were invited to play with JVC’s new handheld camcorder, the ProHD GY-HM100. In a nutshell it is a small, lightweight 1080i / 1080p / 720p camcorder that can record in native QuickTime .MOV files (and another format), directly to easy-to-find and inexpensive SDHC memory cards Read More

JVC’s HZ-CA13U Cine Optical PL mount Lens Adapter (COPLA)

Written by Tim Dashwood on March 10th, 2008

We have witnessed a revolution in digital cinematography over the past few years. Features once reserved for $100,000+ professional digital cameras have found their way into camcorders priced under $10,000. Most of the tools required for the long sought after “film-look” (24P, HD recording, ciné gamma and extended dynamic range) are now finally in the Read More

JVC GY-HD100 and Canon XL H1 Feature Set Comparison

Written by Chris Hurd on October 26th, 2005

This page offers a chart which compares some basic features and specifications of the JVC GY-HD100 and Canon XL H1 camcorders. It is certainly not intended to position one model as being better than the other; it is really intended for casual perusal only. It is my very strong opinion that a person who is actually considering a purchase of either camera should most definitely not use this chart as the basis for a final decision.

P+S Technik Mini35 and the JVC GY-HD100, Part One

Written by Charles Papert, S.O.C. on August 14th, 2005

I’ve been a long time Mini35 fan, since I was involved with the Jerry Seinfeld/American Express webfilms a couple of years back. I was impressed enough with the latest model to buy one last year along with a Panasonic AG-DVX100A, and have shot a number of commercial and narrative projects with the combination.

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