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	<title>DV Info Net &#187; Post Production</title>
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	<description>The Digital Video Information Network</description>
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		<title>Blackmagic Design purchases DaVinci</title>
		<link>http://www.dvinfo.net/article/post/blackmagic-design-announces-the-purchase-of-all-assets-of-davinci-systems-llc.html</link>
		<comments>http://www.dvinfo.net/article/post/blackmagic-design-announces-the-purchase-of-all-assets-of-davinci-systems-llc.html#comments</comments>
		<pubDate>Thu, 10 Sep 2009 00:58:20 +0000</pubDate>
		<dc:creator>DVi News</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Post Production]]></category>

		<guid isPermaLink="false">http://www.dvinfo.net/?p=919</guid>
		<description><![CDATA[The world&#8217;s greatest color correction systems and film restoration products from DaVinci are now part of Blackmagic Design&#8217;s family of high quality post production tools!
IBC 2009, Amsterdam, Netherlands &#8211; September 10, 2009 &#8211; Blackmagic Design today
announced the purchase of all assets of DaVinci Systems LLC. This purchase means Blackmagic Design will now offer DaVinci Resolve [...]]]></description>
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		<title>CineForm Announces CineDDR</title>
		<link>http://www.dvinfo.net/article/post/cineform-announces-cineddr.html</link>
		<comments>http://www.dvinfo.net/article/post/cineform-announces-cineddr.html#comments</comments>
		<pubDate>Thu, 23 Jul 2009 20:51:39 +0000</pubDate>
		<dc:creator>Chris Hurd</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Post Production]]></category>

		<guid isPermaLink="false">http://www.dvinfo.net/?p=728</guid>
		<description><![CDATA[CineForm has launched a new product family called CineDDR.   Developed in partnership with Drastic Technologies, CineDDR provides direct-to-disk recording of HD video sources as an alternative to tape-based recording whose workflows are common for feature film and television post production. 
CineDDR offers visual quality equivalent to or exceeding that of the respected HDCAM [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>A Smooth HDV Workflow for iMovie / Final Cut Pro HD</title>
		<link>http://www.dvinfo.net/article/post/a-smooth-hdv-workflow-for-imovie-final-cut-pro-hd.html</link>
		<comments>http://www.dvinfo.net/article/post/a-smooth-hdv-workflow-for-imovie-final-cut-pro-hd.html#comments</comments>
		<pubDate>Sat, 22 Jan 2005 06:26:05 +0000</pubDate>
		<dc:creator>Frederic Haubrich</dc:creator>
				<category><![CDATA[Post Production]]></category>

		<guid isPermaLink="false">http://dev.dvinfo.net/article/post/a-smooth-hdv-workflow-for-imovie-final-cut-pro-hd.html</guid>
		<description><![CDATA[Last night I was playing with the new iMovie 5 ($79, free on new Macs) and figured out a very nice HDV workflow for Mac users. First of all, it is important to mention that when installing the new iMovie, the Apple Intermediate Codec shows up in the QuickTime codec list. This portion is key to this solution. Here's the workflow:]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Review: Contour Shuttle Pro NLE Jog-Shuttle Controller</title>
		<link>http://www.dvinfo.net/article/post/review-contour-shuttle-pro-nle-jog-shuttle-controller.html</link>
		<comments>http://www.dvinfo.net/article/post/review-contour-shuttle-pro-nle-jog-shuttle-controller.html#comments</comments>
		<pubDate>Tue, 09 Sep 2003 23:23:51 +0000</pubDate>
		<dc:creator>Edward Troxel</dc:creator>
				<category><![CDATA[Post Production]]></category>

		<guid isPermaLink="false">http://dev.dvinfo.net/article/post/review-contour-shuttle-pro-nle-jog-shuttle-controller.html</guid>
		<description><![CDATA[For about a year, I heard about this interesting input device but had never had an opportunity to test its capabilities. Well, I finally attached one to my laptop and gave it a test drive in Vegas. In a word, I think I can simply say "Wow."]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Review: Final Cut Express</title>
		<link>http://www.dvinfo.net/article/post/review-final-cut-express.html</link>
		<comments>http://www.dvinfo.net/article/post/review-final-cut-express.html#comments</comments>
		<pubDate>Mon, 31 Mar 2003 23:19:50 +0000</pubDate>
		<dc:creator>DVi Guest Author</dc:creator>
				<category><![CDATA[Post Production]]></category>

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		<description><![CDATA[With the introduction of Final Cut Express, Apple is clearly aiming for the legions of dv camcorder users around the world who find iMovie too limiting, and Final Cut Pro too intimidating...]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Tutorial: Simulating 35mm Motion Picture Color Saturation, Part One</title>
		<link>http://www.dvinfo.net/article/post/tutorial-simulating-35mm-motion-picture-color-saturation-part-one.html</link>
		<comments>http://www.dvinfo.net/article/post/tutorial-simulating-35mm-motion-picture-color-saturation-part-one.html#comments</comments>
		<pubDate>Tue, 28 Jan 2003 23:37:04 +0000</pubDate>
		<dc:creator>DVi Contributor</dc:creator>
				<category><![CDATA[Post Production]]></category>

		<guid isPermaLink="false">http://dev.dvinfo.net/uncategorized/tutorial-simulating-35mm-motion-picture-color-saturation-part-one.html</guid>
		<description><![CDATA[Hello, and welcome to my "CineAlta" tutorial. I call it that because while most would consider this a film-look tutorial, I am actually going for the HD 24p look. To be truthful, I am one of the new technology buffs...]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Tutorial: Simulating 35mm Motion Picture Color Saturation, Part Two</title>
		<link>http://www.dvinfo.net/article/post/tutorial-simulating-35mm-motion-picture-color-saturation.html</link>
		<comments>http://www.dvinfo.net/article/post/tutorial-simulating-35mm-motion-picture-color-saturation.html#comments</comments>
		<pubDate>Tue, 28 Jan 2003 23:35:25 +0000</pubDate>
		<dc:creator>DVi Contributor</dc:creator>
				<category><![CDATA[Post Production]]></category>

		<guid isPermaLink="false">http://dev.dvinfo.net/article/post/tutorial-simulating-35mm-motion-picture-color-saturation.html</guid>
		<description><![CDATA[Welcome to Part Two of my "CineAlta look-alike" tutorial (see Part One here). By using the following process, you can achieve great levels of detail and rich color with your Mini-DV footage. However, you must take special notice of one important detail...]]></description>
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