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My assesment is not "premature" it's based on my personal experience on sets, and on the experience of my creative partner and DP.
I'm waiting on some rendering right now, as I'm editing, but if I can find the articles that state the problems I've pointed out, I will. Many DP's are unhappy with "instant dailies". I've SEEN sets slow down, while everyone gathers around the HD monitor, and keeps adjusting the camera settings. These are facts, not assumptions.
The need for color correction of the dailies before filmout is not made clear as you said... let me venture an explanaiton.
With a properly exposed negative... you have the option of getting what you want in the processesing of the print. In the digital workflow... if the information is NOT IN THE DIGITAL NUMBERS it's not going to show up in the print, follow?
But perhaps someone with more on set experience than me, or those represented in the clip, would like to chime in. The HD workflow has been around for... what, going on ten years?
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