Thanks everyone for your comments !
Wow, Gareth Watkins is my first fan ! :)
Quote:
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Originally Posted by Glenn Chan
What did you do to get the look of your film?
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First of all, the camcorder : a Sony DSR-570 WSP with real 16/9 - 2/3 inch captors ! Cool DoF !
Second, the light on the set : Benjamin, (co-director, cinematographer, compositor...) made a global light and try to shot with "grey contrasts" as best as he could.
Then, he equalized each shot in Combustion to have a real continuity during the movie.
And after all that, he gave an identity to the movie, using Lustre for the Color Process. Bleach numerical technic and a little halo on the white. Each sequence has its color identity, and it's more and more colorless in the end, very desaturated !
Some pics before / after color process :
http://arakneed.com/photos/idbp/01b.jpg
http://arakneed.com/photos/idbp/01.jpg
http://arakneed.com/photos/idbp/02b.jpg
http://arakneed.com/photos/idbp/02.jpg
http://arakneed.com/photos/idbp/03b.jpg
http://arakneed.com/photos/idbp/03.jpg
http://arakneed.com/photos/idbp/04b.jpg
http://arakneed.com/photos/idbp/04.jpg
http://arakneed.com/photos/idbp/05b.jpg
http://arakneed.com/photos/idbp/05.jpg
http://arakneed.com/photos/idbp/06b.jpg
http://arakneed.com/photos/idbp/06.jpg