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Originally Posted by Glenn Chan
Those stills were very helpful and illuminating. The images certainly look very flat before the color grading.
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Our Cinematogrpher, Benjamin Martinez, shot in "gray tones" in order to have the best way for correcting contrast and colors in post-production !
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Originally Posted by Glenn Chan
I'm curious... how did you get time on a Lustre? Lustre is a very expensive system!! (around a hundred times more than combustion?)
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We had very good and helpful friends :)
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Originally Posted by Kin Kwan
One quick question, for the shots where you zoom from the desk to the window, did you have to light the interior a bit to keep correct exposure?
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Nope : no time, no money, so no ND filters on the windows !... :(