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Old June 23rd, 2005, 02:02 AM   #13
Jean-Nicolas Gilles
New Boot
 
Join Date: Jun 2005
Posts: 9
Quote:
Originally Posted by Glenn Chan
Those stills were very helpful and illuminating. The images certainly look very flat before the color grading.
Our Cinematogrpher, Benjamin Martinez, shot in "gray tones" in order to have the best way for correcting contrast and colors in post-production !

Quote:
Originally Posted by Glenn Chan
I'm curious... how did you get time on a Lustre? Lustre is a very expensive system!! (around a hundred times more than combustion?)
We had very good and helpful friends :)

Quote:
Originally Posted by Kin Kwan
One quick question, for the shots where you zoom from the desk to the window, did you have to light the interior a bit to keep correct exposure?
Nope : no time, no money, so no ND filters on the windows !... :(
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