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Liquid doesn't care what the source is, you can use all sorts of different footage and it will render it to the timeline's specs. I just set up an NTSC 16:9 timeline and make sure the GL1 is shooting widescreen. Kinda sucks everything looks "squished" while your shooting. Then on my HD footage I just have to set the property to "Fit largest keep aspect" and it scales it down to SD as I go. Just have to do a little color correction here and there to get both cameras to match.
And no I haven't used the zebra function yet for exposure which is quite stupid of me, thanks for the tip.
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