Quote:
Originally Posted by Greg Boston
As Chris points out, it's not just one part of the process that makes a pretty picture. The glass in front of those sensors is probably one of the most important aspects of the chain.
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Yes, I just did a XLH1/mini35/Zeiss Superspeed Cineprimes/Uncompressed capture film shoot this past weekend for a short film competition.
Once I clear with the director, I will post up some clips of the short to show the XL at its higher-end of usage ... I think you'll like the image a lot :)