- 37mm 16:9 anamorphic- thoughts?
- has anybody noticed...?
- Question about 'upping' DV footage
- someone tried to use dv anamorphic attachement on 35mm lenses ?
- Flash motion, shutter effect?
- "Film look" and "Video look" in WB Pepsi Smash
- What cam used for "Matchstick Men" making of doco
- Looking for Academy Format mask
- Filter with GL2 and Wide Angle Adapter
- From 1/3" to 1/2" 3ccd camcorder: dof difference?
- Mixing frame rates
- Buying the best camera possible to achieve a film look and feel
- Digital Film Recorder for DV blow up
- A Beginner’s Query (XL1S)
- Specific filter question
- Pal to NTSC DVD effect
- The Office - howd they do that?
- Upconverting PAL SD to HD 720p
- Quick and dirty 60i > 24p method
- Digital Film Lab
- Adobe Premier Pro 4:3 to 16:9
- "This Model Life" TV documentary: film or DV?
- Looking for a memory stick 16:9 matte
- "super size me" 16:9 confusion
- Seinfeld/Amex short films (shot on XL1) to air on NBC this week
- DVFilm (new software)
- Progressive video on a consumer camcorder, an idea
- Tiffen Ultra Contrast Filters
- Simulating DVX100a Gamma settings in post
- Magic Bullet, what do you think so far?
- The steps I need to take....
- Chuck Norris
- Anyone know how to use CinemaTools?
- Food Network shows using film look
- Film Look Simplified
- Magic Bullet/Double 16x9 update...
- Can you really convert from 30 to 24 fps?
- Frame Mode and Slo-motion
- DPs & Operators: Film look is framing & Composition
- Magic Bullet or 24p? How better the 24p is?
- Help needed on a XL1s+mini35 purchase
- A Few Questions...
- Autochrome
- just facts: another guide to digital filmmaking
- Agus35 / Aldu35 threads moving to new section 29 March 6am GMT
- superscope2.66
- Filter Sale at Century Optics/Schneider
- Film To Dv Question
- Another factor in Filmlook
- which is more cinematic: XL1s PAL (with Nikon lens) or DVX100a