- 35mm EOS adapter vs. GG differences?
- Good Reference Source for Color
- Progressive vs. Progressive
- 24p or 25p for film transfer?
- Broadcast of Macy's Fireworks on NBC
- Is 24p dying?
- cokin shade filter
- de-interlacing high shutter speed
- New Film look DV short
- Imitation film look technique
- Simple Question: DV to 24p
- Looking for 3x3 Filters sources
- 24p Footage Online
- Recreating a look
- XL1 for 1:85 ratio when transferring to film?
- Best Quicktime codec for 'Look'
- Shutter speed
- Schneider Digicon Filters?
- Dvx100 film look footage
- Undercranking
- What's the 60ito24p method that gets closer to 24p FilmLook, not the 24p SinCity Look
- A few basic questions...please help.
- 24 Hour Party People
- Tiffen Ultra Contrast & ND Sequence?
- Some AE 24p Tests
- Looking For Capture Tool Which...
- Sports settings
- Which is better, Vegas 6 (60i to 24p) or DVFilmakers 60i to 24p?
- DVFilm Maker output back to 16:9
- y is difficult to handheld
- motorised polariser
- Film Look at 24p reached
- 50i to 24p Conversion Help
- Raw film doesn't look that good
- Interesting Concept
- Somewhat new to this.
- Cinegamma and Magic Bullet
- Depth Of Field Generator PRO
- Why is Frame Mode frowned upon for film transfer. And why does 60i look slow at 24p?
- Panasonic AG DVC30 Film Look
- I'm shooting a full length feature this month. Need a rundown list, please.
- What's the advantage of Shooting with Sony DV cam as oppose a progressive DV cam.
- MAgic Suite...presets tips plz
- what file type for 24fps projection delivery?
- Filmlook - what are they using?
- Question about,cinemotion and cinelook
- magic Bullet Editors
- DVC to BETA SP or DVC Pro
- Proper Exposure to obtain a "Film Look" using an Xl1s
- Avid's FluidFilm