- GS200 Experience?
- Which tape stock?
- Blue screen back ground
- usb harddrive?
- Cams for Intro Prod class
- It's not the equipment, it's the VISION
- bunch of pics rendered to Mpeg2 or raw DV?
- wrinkles and blemishes with high def
- Export timeline, file size limit problem.
- where to sell equipment?
- Film Magic Pro
- Ever had an arguement with a Cameraman you respect?
- Stand up editing station?
- Replacement for my digital8
- Volcano and Laser Effects?
- interlaced HD
- Looking for media players that allow external monitor viewing of rendered files
- Live firewire switching - Sony Anycast
- Panasonic PV-GS300 or PV-GS500?
- Equipment In Europe?
- Firewire switcher for live production
- Deinterlacing deinterlaced video?
- The Ideal Video-Editing Software Bundle?
- Explosion Proof???
- Looking for lighting advice for a music video shoot
- Opinions and Suggestions - Logo
- 20th Century Fox Logo
- production company name change? opinions please
- Need some ideas...
- Capture Card
- Guilds
- HELP?! Looking for Cheap Method of Video Pass-Through!
- 2 cam shoot - kickboxing event - need help
- How can I achieve the HDTV look of NBC's "Today" show? (inside studio shots)
- Framerate conversion with MotionPerfect?
- Very basic question
- Need NTSC footage quick for testing
- I want the best possible shot
- How do these camcorders differ?
- Yet again, for DV class
- Movie making: 16mm vs HDV vs SDV
- Difference between 16:9 and full screen
- Is DV lossless once captured?
- The best example of a Colourist's work?
- Never turn in a rough cut to film festivals!
- Telecine Projector.
- eSATA External Drive
- NTSC to PAL conversion
- Gold disks.
- "I'm Filming In The Rain..."