- Any professionals recording audio onto Sony Hi-MD devices?
- anyone use the Tram mic with the Sennheiser g2?
- Recording in dolby 5.1 surround
- audio trim level setting
- Headset for Boom Operator
- How bad is it Dr?
- Going to be working with a Canon H-1
- Rode NTG-1 vs NTG-2 vs A-T AT835b
- FX1 + Sennheiser Evolution G2 100 + Rode Videomic
- Inside mic
- Audio; a little knowledge is a dangerous thing ...
- Sennheiser Wireless G2 static and poping
- Advanced noise reduction in Audition
- Mic for feature length movie.
- Shotgun Shoe Mount
- Microphones & Pads
- Rode Ntg-1 for sports/eng?
- Please help with acoustically matching whole new setup
- Using old mics with a Sony HDR-HC1 camcorder
- Audio Setup for Crowded Convention Hall
- audio manual or auto
- Wireless Plug On Recomendations for Shotgun
- Olympus voice recorders
- ORTF with AT3031 -- Impressive
- absolute beginner: how to use a boom pole with shotgun
- Shot Gun for Z1 U
- Audio Question from a Newbee
- lapel mic hiss help
- sennheiser mkh 416 vs mkh 60 and mkh 70?
- Seamlessly incorporating sound effects
- First Impressions of Edirol R-09
- Oade Brothers Audio
- sound advice for Z1!
- MixPre vs Beachtek DXA-8
- Need sound advice(pun intended)
- Best Mic for ocean waves & HC1?
- New to all of this...
- Which program do you actually use?
- Video Expo/Seminar Findings...
- Using a light diffuser as a pop filter
- Affordable mic for basic production
- What plugin for dereverberation?
- XLR's for sound board Feed
- moleskin-like Lav mic holder ?
- Dolby Digital Dynamic Range Compression
- PD170 microphone
- Shure Lav
- Z1U - AT897 Mic Trouble
- AKG Wireless Lavalier Setup
- exporting OMF in adobe premiere, can it be done