- Ruined Audio?
- Adobe Audition quality noise reduction on mac os x
- Secrets of the DXA-8's power needs
- Unbalanced wireless into balanced mixer input??
- sony mini disc??
- Senn G2
- DAT recorder: digital in/out
- please advise w/ mixing dialog recorded w/ lav
- Best shotgun for inexperienced boom-op?
- Desktop Monitor Stands?
- Looking at some mini-mixers for ENG stuff
- Unsure of what to do about mic hiss - Apex 175
- automatic gain control and line level input?
- DVX100a + sennheiser ew100 lav setup question
- what about mixers? little ones.
- wireless for lavs
- Any experience with the Rode NTG-2?
- Cheap wireless levallier mic for Sony HDR-HC1?
- Hot shoe for Sony HDR-HC1?
- Waterproof Microphones or a Hydrophone
- Question about camera noise and mics
- handheld recomm for evolution G2 plug-in transmitter
- Need recommendations for quality boom pole
- Connecting the NTG2 to a 1/8 jack
- EV RE20/RE27 for Voice Over and Narration
- Need a new indoor mic (but it gets complicated)
- MXB1002 - Behringer - what do you think?
- On camera mic for HDR-FX1
- What would you prefer, balanced mic or unbalanced line?
- ECM-HGZ1 as second option mike
- iriver pcm-120; recording capabilities?
- VideoMic + Pro 88w Wireless Lav ... stereo set up
- balanced connection for mini-disk?
- Ultimate field recorder from Sony?
- Surround Sound and Final Cut Express
- Sennheiser EW122-p G2 Wireless lapel Mic - Recommendations?
- AT822 vs. AT825 vs. AT835ST
- Sample Rate Conversion in Double System Sound
- Shotgun Vs Hypercadroid
- How well will this work?
- Audio cleaning applications?
- Advice on recording a concert
- Composing Orchestral Music
- basic question hooking stuff up
- Need Advice for A Voiceover
- scene ambience
- XLR adaptors and XLR mics for GS400
- Shotguns; Rode, AT, Azden, vs the indoors??
- Canon XL1 Outdoor Audio
- screwed audio...... What??