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| General HD (720 / 1080) Acquisition Topics about HD production, including the Sanyo HD1 camcorder. |
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Views: 530 - Replies: 2
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#1 |
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Major Player
Join Date: Apr 2006
Location: Wales
Posts: 547
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Longitudinal Colour Corrector
When HD first hit the big time Optex introduced a Longitudinal Colour Corrector, which was said to make film lenses useable on HD cameras by changing the way the light was focussed on the 3 CCDs (with film lenses it focusses to a single plane only). Now at the time I thought it was a load of tosh and just a way to make money by selling something that we don't really need. Anyone have much experience with using one though? I've used Canon 300 and 150-600 on Sony 750/Varicam and thought the images looked OK, but just wondering if I'm missing something?
Steve |
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#2 |
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Major Player
Join Date: Jan 2008
Location: Utrecht, NL | Europe 3rd Rock from the Sun
Posts: 576
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No experience with it, but I'm with you on the 'tosh' wagon.
There's a very good seminar on HD optics and sensors by John Galt, Head of Advanced Digital Imaging at Panavision, and Larry Thorpe (Canon Broadcast): Demystifying Digital Camera Specifications It gives a good overview of the challenges for HD glas, touches on 1 vs 3 imager system, bayer sensors and on how MTF really defines system quality over the different comonents. I can wholly recomend it. George/ |
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#3 |
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Major Player
Join Date: Apr 2006
Location: Wales
Posts: 547
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Thanks George, I've seen it via a link on REDUser. I agree, it's well worth a look if only to give an overview of general principles.
Steve |
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