Commercial shot with MINI35/JVC GY-HD100

Bob Hart · January 2nd, 2008, 09:49 AM

Here is a link to a commercial shot with the Mini35-400 on a KVC GY-HD100. The limo interiors were shot with 14mm f2.8 Nikon or 12mm-24mm f4 Nikon zoom (my memory of this is a bit vague) and a f3.5 8mm Peleng Fisheye.

http://www.youtube.com/watch?v=yoT_Q-7bM6o

Hunter Richards · April 7th, 2008, 03:54 PM

That looked great (on youtube anyways)

That opening shot was top notch. Can you give more details about the production? How was it shooting night exteriors?

Bob Hart · April 7th, 2008, 06:25 PM

From memory, they did the streetscape au-natural with added lighting powered from a small generator in back of a utility to highlight the girl.

I think there may have been 3db video gain dialled in on the camera.

Their outdoors lighting kit consisted of redhead and flouro light.

The P+S Skater dolly was used for dynamic moves in the streetscape.

The nightclub stage ambience was shot against a greenscreen in a studio with lots of lights and lenses chosen for shallow DOF.

Giuseppe Pugliese · April 18th, 2008, 03:00 PM

do you have any hi res clips of this? youtube is just way to small for anything. I would love to see this at, at least 480p if not 720p

thanks.

Bob Hart · April 18th, 2008, 08:16 PM

Giuseppe.

I have emailed your comment on to the director. I was only one of the crew on this project as guart ant at rear of the equipment van or transporting lenses.

Oleg Kalyan · April 20th, 2008, 02:06 PM

Bob, the commercial looked great, I am sure you've enjoyed working on it?
Would love to see it at a better resolution, would it be possible?

Bob Hart · April 20th, 2008, 08:25 PM

Oleg.

I have mentioned requests for higher resolution copies on the internet to the director. He is right in the middle of a feature shoot at present, so I don't think anything can happen for some time yet. It could be ripped from late weekend night broadcasts but it would only be SD PAL from that source.

The clip now belongs to the band who commissioned it. Maybe they might post a higher res version. I will enquire.

January 2nd, 2008, 09:49 AM	#1
Bob Hart Inner Circle Join Date: Dec 2003 Location: PERTH. W.A. AUSTRALIA. Posts: 2,385	Commercial shot with MINI35/JVC GY-HD100 Here is a link to a commercial shot with the Mini35-400 on a KVC GY-HD100. The limo interiors were shot with 14mm f2.8 Nikon or 12mm-24mm f4 Nikon zoom (my memory of this is a bit vague) and a f3.5 8mm Peleng Fisheye. http://www.youtube.com/watch?v=yoT_Q-7bM6o

April 7th, 2008, 03:54 PM	#2
Hunter Richards Regular Crew Join Date: Mar 2008 Location: Portland, Oregon Posts: 79 Images: 2	That looked great (on youtube anyways) That opening shot was top notch. Can you give more details about the production? How was it shooting night exteriors? __________________ HR\|cinematographer HunterHRichards.com

April 18th, 2008, 03:00 PM	#4
Giuseppe Pugliese Major Player Join Date: Dec 2005 Location: New York Posts: 217	do you have any hi res clips of this? youtube is just way to small for anything. I would love to see this at, at least 480p if not 720p thanks. __________________ www.NewYorkFilmStudios.com

April 20th, 2008, 08:25 PM	#7
Bob Hart Inner Circle Join Date: Dec 2003 Location: PERTH. W.A. AUSTRALIA. Posts: 2,385	Oleg. I have mentioned requests for higher resolution copies on the internet to the director. He is right in the middle of a feature shoot at present, so I don't think anything can happen for some time yet. It could be ripped from late weekend night broadcasts but it would only be SD PAL from that source. The clip now belongs to the band who commissioned it. Maybe they might post a higher res version. I will enquire. Last edited by Bob Hart; April 20th, 2008 at 08:26 PM. Reason: error

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April 7th, 2008, 06:25 PM	#3
Bob Hart Inner Circle Join Date: Dec 2003 Location: PERTH. W.A. AUSTRALIA. Posts: 2,385	From memory, they did the streetscape au-natural with added lighting powered from a small generator in back of a utility to highlight the girl. I think there may have been 3db video gain dialled in on the camera. Their outdoors lighting kit consisted of redhead and flouro light. The P+S Skater dolly was used for dynamic moves in the streetscape. The nightclub stage ambience was shot against a greenscreen in a studio with lots of lights and lenses chosen for shallow DOF.

April 18th, 2008, 08:16 PM	#5
Bob Hart Inner Circle Join Date: Dec 2003 Location: PERTH. W.A. AUSTRALIA. Posts: 2,385	Giuseppe. I have emailed your comment on to the director. I was only one of the crew on this project as guart ant at rear of the equipment van or transporting lenses.

April 20th, 2008, 02:06 PM	#6
Oleg Kalyan Major Player Join Date: Apr 2006 Location: MOSCOW Posts: 452	Bob, the commercial looked great, I am sure you've enjoyed working on it? Would love to see it at a better resolution, would it be possible?