The Digital Video Information Network  

Policy DV Info Net Intro / Articles & Reviews Image Gallery Sponsors
Go Back   The Digital Video Information Network > Special Interest Areas > Techniques for Independent Production

Techniques for Independent Production The challenges of creating Digital Cinema and other narrative forms.

Reply
Views: 322 - Replies: 3  
Thread Tools Search this Thread Display Modes
Old August 5th, 2008, 01:52 PM   #1
New Boot
 
Join Date: May 2008
Location: Hawaii
Posts: 18
23.98fps 24bit 48kHz

I'm working on an independent feature film shooting on HD at 23.98fps and recording audio at 24bit 48kHz. We want to do a film-out from an HDCAM SR finish and I'm wondering if our choice of frame rate and audio bit and sample rate is a good one. Are there any conflicting opinions? We want the best possible quality while ensuring that everything in post will flow smoothly. We're editing on FCP and the sound design and mix will be done in Pro Tools. Any references to theatrical films would really be appreciated. Thanks!
Ryan Krickow is offline   Reply With Quote
Old August 5th, 2008, 02:25 PM   #2
Inner Circle
 
Join Date: Nov 2001
Location: santa fe, nm
Posts: 2,740
Images: 10
hmmmm..I don't think Chris likes double posts.
__________________
~~~~~~~~~~~~~~~~~~~CHALCHIHUITL (fix it in post) PRODUCTIONS~~~~~~~~~~~
XDCAM EX--JVC HD110-----PC Based Avid Media Composer/Edius Broadcast/Vegas Pro--CINEFORM
Bill Ravens is offline   Reply With Quote
Old August 5th, 2008, 05:04 PM   #3
New Boot
 
Join Date: May 2008
Location: Hawaii
Posts: 18
My question here is concerning the overall picture... 23.98fps, 24-bit 48kHz and doing a film out from HDCAM SR. My other question was concerning audio choices only.
Ryan Krickow is offline   Reply With Quote
Old August 16th, 2008, 04:45 PM   #4
Regular Crew
 
Join Date: Oct 2007
Location: Atlanta, GA
Posts: 38
24bit 48k is perfectly fine quality wise.

Are you sending the audio to the camera to be recorded or is there a seperate recorder? Either way you shouldn't have any problems.
Sometimes problems arise when shooting film and then transferring to 23.98 HD for sound sync and editing. This is due to the pulldown 24fps->23.98fps, but that doesn't apply here.

This is perfectly normal workflow for a film out.
Anyone shooting HD for film out is probably going to have the same workflow.

Audio at 48k 24bit, shoot at 23.98 (not 24) and your fine.
Luke Tingle is offline   Reply With Quote
Reply

DV Info Net refers all where-to-buy questions exclusively to these trusted full line dealers...
Precision Camera
(866) 802-8500
Austin, TX
TapeWorks Texas
(866) 827-3489
Houston, TX
B&H Photo Video
(800) 947-8002
New York, NY
Abel Cine Tech
(888) 700-4416
N.Y. NY & L.A. CA
Zotz Digital
(888) 577-9689
Grants Pass, OR
VideoGuys.com
(800) 323-2325
Glen Cove, NY
DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: The Digital Video Information Network > Special Interest Areas > Techniques for Independent Production

Thread Tools Search this Thread
Search this Thread:

Advanced Search
Display Modes

 


Google
 

All times are GMT -6. The time now is 05:50 AM.

DV Info Net -- Real Names, Real People, Real Info!
1998-2008 The Digital Video Information Network