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depends on what you are shooting. If it's run and gun, documentary style, in most cases that is fine (and sometimes the best way to do it, if you are moving through mixed light). If you are lighting to create a mood that needs to stay consistent throughout different shots, the camera may try to "erase" that mood (i.e. if you have lit the set warm or cool) and when cutting shots together, the walls may shift color etc.
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