Extra software necessary to export from Avid to Protools LE?
I just bought an Mbox2 and with it I got Protools LE. I will be using the Mbox2 with my video editor Media Composer but would like to give Protools a go as audio sweetener. However I've tried importing an AAF-audio-file from Avid and that gave me an error message. Now - after googeling this problem I understand that Digidesign sells another product called Digitranslator that seems to be needed to import OMF and AAF-files.
Is there really no other way to transfer Avid projects into Protools LE?? This software is at least $500 dollars which is more than I payed for the Mbox and Pro tools LE together? |
Hey Ola...
Try exporting to wav. It imports to PT8 just fine. I know, it's shameful what Avid/Digidesign tries to get away with. Oh well, what can a person do? The alternatives are worse, trust me on this. |
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Bill - you are everywhere! I might as well e-mail you directly instead of bothering with these forums. ;-) Anyway - I guess WAV-export will work but that won't give me anything but the final mix from the Avid, right? I won't get edits and volume levels and crossfades will I? |
Funny Ola...
Now, I have been known to be incorrect, on occcasion. ;o) So, asking others is a good idea. At any rate, yeah it seems PT won't import OMF/AAF without that very expensive plugin. Exporting wav files means you'll have to do that as a pre-mix set of waves. Unfortunately. |
I have AVID Final cut Pro and Pro tools Le, I use the DV toolkit to import OMF and it works great. It also gives you proper timecode timeline and is a must for working with video as it adds lots of extra features and a superb room simulator package called TL space.
it may sound a lot but it is really worth it if you wish to do audio post properly. |
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Protools has a way of limiting everything. It is a very BAD program if you don't go HD with it (in my opinion, the digi 003 rack is over priced and its conversion and preamps just plain suck... plus you are limited to tracks and everything). I would advise going OMF into Reaper to do the sweetening, but then again, protools may have crippled the Mbox to not be able to use Reaper... (Nuendo/Cubase is my favorite option though). Still, you'd have to use wav exports for this.
But even better would be, if you have any DA converters already, just exchange for the cheap m-audio transit and run it ADAT into your DA. It works like a charm zero latency for me, and it's a good mobile doogle. |
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To put this into perspective guys I have worked as a Dubbing (re-recording) mixer for over 28 years, now up till the DV toolkit you would have had to buy an AudioFile or a full pro tools HD rig just to get OMF import at all. Now an AudioFile was around $100,000 a few years ago and a current pro tools HD-1 base rig with control surface will cost you at least $40,000.
The full dub suites I have used cost anything from $200,000 up to a cool $1-2Mil for the DFC desk and audio dub system that skywalker sound use. I have a digidesign 002 ($2,000) and the DV toolkit ($1400) at home and I can pretty much do most small post jobs to a pro level with video on-line as well. You pays yer money and makes your choices, semi pro kit is still very low cost compared to full pro kit but you can now get a lot of very pro features for a lot less than a few years ago. Expecting a $500 m-box to do everything is not realistic and I think digidesign have been very competative with their DV toolkit. Just to put another thing into perspective Ola, I see that you have a letus type filmic DOF feel adaptor on your HDV camera, did you feel the same way about adding this to your camera or did you expect this feature to be included? Also with your Avid, do you expect it to do full 10 bit uncompressed video or have you had to add a mojo box to enable that? |
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And even farther back before ProTools, Digidesign shipped Sound Designer, then Sound Designer II software with their hardware audio interfaces. Sound Designer was a 2-Track editing application, and the earliest version was the de-facto standard for sound designers who were building sample libraries for their EMU, Roland, and Akai samplers. Then Digidesign shipped a revolutionary new software bundled with Sound Designer II. That software happened to be called "Deck" from OSC. Deck was a fabulous new multi-track application, which Digidesign promptly copied and released as ProTools. |
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I was at AMS Neve from 1991-1994 and helped develop AudioFile and the Logic/DFC consoles from an operational aspect. I recall the AES show in 1993 I think when we were the first to do OMF import on AudioFile. it was all downhill from there as audio guys had to grapple with video stuff, EDL import for autoconform was bad enough but then throw in corrupt OMF files and it upped my customer support role a lot. |
Or you can get any interface and use cubase which has native OMF. Just a thought.
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If you are working with apple mac, you can get logic for a very fair price and will allow you to import OMF, AAF, etc...all included within the package, not having to buy extras (like the DV Toolkit,etc...) besides there's no limit with tracks in Logic...
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I just upgraded my PT Le to version 8 and now my track count is doubled with the DV TK2, I appreciate logic is a good program too but for me I hav to use pro tools as it is now the industry standard for audio post in the UK.
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I like the companys philosophy. Too bad no sync or video capability (apparently). Great app for the price, though, for certain uses. I don't want to reprise the usual DAW wars, but Digidesign will never get another dollar from me. ;-) I'm tired of their nickel and dime you to death attitude, believe there are better options now, and even the old 'compatibiity with the pros' excuse is starting to get pretty weak. -Mike |
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