Preferred way to record - Page 2 at DVinfo.net
DV Info Net

Go Back   DV Info Net > The Tools of DV and HD Production > All Things Audio
Register FAQ Today's Posts Buyer's Guides

All Things Audio
Everything Audio, from acquisition to postproduction.

Reply
 
Thread Tools Search this Thread
Old March 20th, 2009, 02:53 PM   #16
Major Player
 
Join Date: Sep 2006
Location: Virginia Beach, VA
Posts: 656
Quote:
Originally Posted by Ryan Kincaid View Post
New to the game so I will ask a stupid question with your permission.

Recording sound: do you generally prefer to connect the Shotgun mics to the camera itself or to an external sound recorder ie; portable Hi-MD or DAT?

What are the advantages and disadvantages of both?


Which do sound guys prefer? Which do editors prefer? or is it a matter of affordability? (I'm doing this for a modest budget and would like to see if I can keep the sound budget (equipment) down to about $500 (Even cheaper if possible. I already have a mic Audio Technica AT897). Would I need another mic?
Ryan as a relative newbie to good (not great) sound myself, I know where you are coming from and will try to add to the good answers you already recieved.

In the recent past I have been using a Sony PCM-D50 digital audio recorder ($500ish) to record the primary audio track from wireless or wired microphone feeds. I always record in 24bit resolution and 48K sampling frequency. This always gives a better result than recording to the camera and there is a ton more material to work with when you need to boost levels or edit the audio for whatever reason. The limiter and attenuators are also far better than the on-camera ones.

I also have a Panasonic camera and the onboard sound (not mics) recording is acceptable in most cases, but it's never as good as the digital audio recorder. However, I have have a couple projects lately that were just extremely time consuming to sync audio and video (doing multicam with timeshifting a bunch of scenes). I can tell you for sure that the edit is going to be much more time consuming, at least until you get a good work flow established.

So in short, getting the audio off the camera is the way to go, but you need some good equipment (including a mixer) and it's a lot more work on location and in post.

Here is a B&H digital recorders buyers guide:
The B&H Handheld Digital Audio Recorders Buyer's Guide | B&H Photo Video Audio

Have fun
__________________
Panasonic HMC150/Canon A1/JVC HD1/Sony Vegas 8.0c
Jeff Kellam is offline   Reply With Quote
Old March 20th, 2009, 03:19 PM   #17
Regular Crew
 
Join Date: Nov 2008
Location: Los Angeles
Posts: 82
Quote:
Originally Posted by Marco Leavitt View Post

Lastly, as far as the main reason for double system being the elimination of the hassle of being tethered to the camera -- please. The less said about that the better.
Let the man talk. Marco, please speak up - say what you have to (...?) say for crying out loud ;-)
Karl Lohninger is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > The Tools of DV and HD Production > All Things Audio


 



All times are GMT -6. The time now is 03:26 PM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network