All Things Audio -- topics from 2002 thru 2004 - Page 29 at

Go Back   DV Info Net > The Tools of DV and HD Production > All Things Audio

All Things Audio
Everything Audio, from acquisition to postproduction.

Closed Thread
Thread Tools Search this Thread
Old October 12th, 2004, 08:41 AM   #421
Major Player
Join Date: Apr 2004
Location: Oceanside Harbor, CA
Posts: 446
Vega U2020 Wireless

Anyone have any experience with Vega wireless lav systems?
Michael Best is offline  
Old October 12th, 2004, 11:44 AM   #422
Join Date: May 2002
Location: Barrie, Ontario, Canada
Posts: 1,922
Yes, it's called a shockmount. You can either buy one with the shoe or buy a separate shoe attachment.

kcam mount(click)

The camera shock mount adapter by itself

The PSC camera mount (cheapest most simple of the bunch)

There's more info on this thread (click)

This has been discussed many times, for more info run a search on this forum. Use brief descriptions like "shock" or "shock mount".

You could also have a peek at B&H, jusr use the link I've given for the other shock mounts.
Life's journey is not to arrive at the grave safely in a well preserved body, but rather to skid in sideways, totally worn out, shouting ".......holy smokin rubber lips...what a ride!"
Bryan Beasleigh is offline  
Old October 12th, 2004, 01:57 PM   #423
Join Date: Mar 2004
Location: Hilliard, Ohio
Posts: 1,193
Azden 100LT saves the day.

Shooting all day last week with my companies (my day job) borrowed Lectrosonic UM 200b/200d kit and the thing was poping and swooshing for the first presenters piece. Lasted an excrutiating 55 minutes that I couldn't stop. Speaker was only about 35 feet away behind a podium with nothing odd going on, no 2-way radios, no cell phones or other transmitters nearby. It was a golf club setting.

For the second through fifth speakers I dug out my new spare Azden 100LT mic and it was flawless. No noises at all. Crisp and clean.

I will say this is not the smallest mic capsule in the world and in fact, since the wind screen is glued on, it's pretty big. It may not have the best tone but all I can say is, it did the job quite well and rescued me from a disaster.

Using it with a Sony PDX10 and the shotgun for room noise.

I think I'll keep it.

ĎI donít know what Iím doing, and Iím shooting on D.V.í
- my hero - David Lynch
Sean McHenry is offline  
Old October 12th, 2004, 04:47 PM   #424
New Boot
Join Date: Jul 2004
Location: Chicago
Posts: 13
headphones problem?

I am going to be filming tonight for a school project on an Optura 20 and i dont have any sort of mics. I figured I could monitor what they are saying through some headphones. (It's a one shoot opurunity so I wanted to make sure I could hear them since there is no time for a reshoot) Upon testing some headphones I Heard a loud buzzing sound similar to a blown speaker in the right headphone. I was really mad when this happened beacuse they are kind of expensive headphones. Then plugged them into my stero adn they worked fine. At this point I plugged in another pair and I got the same problem. anyone know what is up?
Kevin Girard is offline  
Old October 13th, 2004, 11:39 AM   #425
Regular Crew
Join Date: Jul 2003
Location: Boone, NC
Posts: 115
Mike for in studio Foley work

I am looking at some Rode microphones. Would the "broadcaster" work for this?

Or is it more for Voice Overs? I am looking at the $400 range. Thanks for the help!
Jonathan Stanley is offline  
Old October 13th, 2004, 01:57 PM   #426
Join Date: Jul 2003
Location: Burlington
Posts: 1,837
The Broadcaster really is tailored for broadcasting. If I was choosing a single Rode mic at this price point for foley I'd pick the NT1000 for $299 and get the optional shockmount. Foley requires a very low noise mic because often these sounds are faint to begin with and then you have to mic at a distance to make them sound natural and believable.
Alternately you could get the NT1A and an NT3 and still be within your budget. Some sources sound more natural with a large diaphragm mic and some sound better with a small diaphragm. This would give you a choice.
Jay Massengill is offline  
Old October 16th, 2004, 02:20 AM   #427
Regular Crew
Join Date: Sep 2004
Location: Bay Area, California
Posts: 53
It sounds like the headphone jack isn't making proper contact with the plug on the headphones. Those 1/8" jacks are pretty fragile, and having long headphone plugs plugged into them means you have a big ole bar that, if hit, has a lot of leverage to bend the little contacts inside the plug. Ideally, you'd want a right-angle plug, which doesn't stick out very far to be hit and has much less leverage if it is. They do make short (6" or so) extension cables with a right-angle plug for just that reason (B&H has them).

If you're having this problem with several sets of headphones, then your cam needs to visit a repair facility (hopefully under warranty!).

Troy Tiscareno is offline  
Old October 19th, 2004, 08:31 AM   #428
Inner Circle
Join Date: Jul 2002
Location: Albany, NY 12210
Posts: 2,610
The Wilhelm (very funny)

This may be old news to a lot of you, but I think it's hysterical. This is a Web site on film sound production that has an entry on a sound effect called The Wilhelm Scream that's been used in over a hundred movies, including every Star Wars film (even the new ones). It's named after a cowboy who gets killed in an old Western movie. Scroll down to Language and Voice. There's a downloadable clip showing it's use in everything from the giant ant movie "Them" to a Goofy cartoon. Once you hear it, you'll recognize that scream immediately. We've all heard it hundreds of time. I'm already trying to find a way to work it in to our next movie.

NPR article on The Wilhelm, (linked to from site above).
Marco Leavitt is offline  
Old October 19th, 2004, 09:13 AM   #429
Regular Crew
Join Date: Sep 2004
Location: Brooklyn, NY
Posts: 114
Yup, as mentioned in this thread, Peter John Ross used it in his upcoming feature. See also this history of the Wilhelm.

(The film cliche page you cite is pretty darned good.)

Go Wilhelm!

Michael Bernstein, actor & film maker.
10 films in 10 weeks:
Michael Bernstein is offline  
Old October 23rd, 2004, 11:34 AM   #430
Regular Crew
Join Date: Apr 2004
Location: Naperville, IL
Posts: 35
Good cheap lav mic

Hello All,

I already know about the Azden 503 omni lav mic - that seems to be the best value and seems to work well with an md/digital recorder. I'm looking for one with a 1/8" plug.

Are there any other budget lav mics that you would recommend? I'm looking for one that would pick up the bride's voice, if the groom were wearing it. Say for under $75.

If you think the Azden will work fine, please chime in - that would probably be my cheapest option anyway.

Ron Quizon is offline  
Old October 23rd, 2004, 01:14 PM   #431
Join Date: Jul 2002
Location: Makati, Metro Manila
Posts: 2,706
Images: 32
Audio Technica ATR35s would work. They're around $35.
Michael Wisniewski is offline  
Old October 25th, 2004, 11:15 PM   #432
Regular Crew
Join Date: Apr 2004
Location: S.F., California
Posts: 61
best wireless lavs for under or around $200?

Ideally I'd pay 200 or maybe 300, for a pair of good radio lavelier mics. what do you guys recommend? Also, another question: why can't I theoretically just radio mic my actors all the time (instead of using a boom mic) and then add the boominess and echo in post? would the result be drastically different than using a boom mic? thanks.
Allen Nash is offline  
Old October 27th, 2004, 06:13 PM   #433
Fred Retread
Join Date: Jul 2004
Location: Hartford, CT
Posts: 1,227
Request: Calibration of GL2's level meters

The GL2 owner's manual rates the mic jack at -55 dBV with MIC ATT OFF and -35 dBV with MIC ATT ON. But what does that mean, really?

I'd love to know what signal level of, say, a 1000 Hz tone is being applied to the GL2's mic jack when the level meters are at the ZERO dB mark at various settings of the channel level controls (e.g., quarter, half , three quarters and full).

If I had a scope and a signal generator I'd find out. Might someone be willing to do this?
"Nothing in the world can take the place of persistence..." - Calvin Coolidge
"My brain is wired to want to know how other things are wired." - Me
David Ennis is offline  
Old October 28th, 2004, 08:08 AM   #434
Regular Crew
Join Date: May 2004
Location: Chicago, IL
Posts: 184
Audio recording equipment

Can someone direct me to a site where I can get quality audio recording equipment. I am looking to use something other than my cameras audio.

Mitch Buss is offline  
Old October 28th, 2004, 08:23 AM   #435
Join Date: Jan 2004
Location: Stockton, UT
Posts: 5,648
All sorts of them, but my fave is B&H. They have EVERYTHING. in Denver has a pretty good selection, and in SLC has a monster selection.
Douglas Spotted Eagle/Spot
Author, producer, composer
Certified Sony Vegas Trainer
Douglas Spotted Eagle is offline  
Closed Thread

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

Professional Video
(800) 833-4801
Portland, OR

Omega Broadcast
(512) 251-7778
Austin, TX

(973) 335-4460
Mountain Lakes, NJ

Abel Cine Tech
(888) 700-4416
N.Y. NY & L.A. CA

(800) 238-8480
Glendale, CA

Precision Camera
(800) 677-1023
Austin, TX

DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > The Tools of DV and HD Production > All Things Audio

Thread Tools Search this Thread
Search this Thread:

Advanced Search



All times are GMT -6. The time now is 07:42 PM.

DV Info Net -- Real Names, Real People, Real Info!
1998-2015 The Digital Video Information Network