- Panavision Genesis
- Life on Set of a Feature Film
- Ikonoskop A-cam dII at IBC2008
- Could Canon Challenge RED?
- JVC Unveils 10 Megapixel Ultra High Definition Projector
- Actual Cinemascope Aspect Ratio
- Sony F23 Article at Studio Daily
- how to buy/get archive footage
- What do you use for backup of your 2k files?
- The Answer to all Format Questions
- ARRIRAW vs REDCODE RAW
- freelancing with Sony EX1
- New SSR For F23/Genesis
- What do you think this was shot with?
- Ikonoskop A-cam IIK
- ULTRA TV display at NAB - Ultra Hi Def downrezzed to 4K
- Digital Cinema Cameras Not There Yet
- Sony HDW-750P 2.4:1 Aspect guidelines
- SD to HD blow out
- 720p or 1080 for digital projection? What's the best choice?
- Ultra High Def TV on bbc.com
- Phantom V12 from Vision Research
- 4k is just an interim resolution...
- CSI: Colorspace Inc. Recorders & Cameras
- CSI: follow up from IBC
- GEN: Panavision Genesis on "Balls of Fury"
- Convergent Design Flash XDR
- CSI: Any new info on the INDI?
- GEN: A Video I made with the Genesis from Panavision
- GEN: Melbourne-based feature gives nod to Genesis
- VIP: can anyone tell me how much the viper costs?
- New star rises over digital cinema – noX HD/2K
- GEN: "Andy Barker, P.I.", shot on the Genesis
- CSI: Record HD-SDI direct to Disc Array
- CSI: Free NAB exhibits pass
- CSI: Colorspace ICON - portable HD-SDI field recorder
- Final specs for Grass Valley Infinity - WOW!
- CSI: lossless portable tape solution for HD-SDI?
- CSI: Any info on the next gen. of Canon?
- VIP: Removing Green Tint with Thomson Viper Film Stream
- Sony 4K Projector Rollout
- CSI: Colorspace 35mm / 16mm Digital Cinema Cameras
- GEN: Charles Papert's Genesis thread
- CSI: A Little Competition to Heat Things Up :)
- VIP: Grass Valley Viper versus XL H1 - just for fun!
- DAL: Dalsa Origin and Arri D-20
- DAL: Dalsa 1" CCD 1080-30p industrial camera
- GEN: Superman Returns shot on Panavision Genesis
- VIP: the deal with the Grass Valley Viper FilmStream ?
- GEN: Question about Genesis camera