View Full Version : HD and UHD ( 2K+ ) Digital Cinema

Pages : [1] 2 3

  1. UHD: Panasonic HC-X1 vs Sony AX100
  2. HDR 12-bit or 16-bit capture possible and is it enough for "reality" xyz color space?
  3. Converting 4K
  4. converting 4k 8-bit 420 to HD 10 bit 444
  5. 4k Video Camera
  6. Seeking Camera Training Advice for LA
  7. 4k/uhd blu-ray burners
  8. How to backup video files whilst travelling
  9. Are used F900 or F900R cameras any good?
  10. RED Raven vs URSA Mini 4.6K vs Kinefinity Terra 6K
  11. Advice on 4k camera package
  12. Distributing 4K Videos to Consumers
  13. Brainstorming a future US$3,000 Samsung cinema camera?
  14. Test RED DRAGON - Clip Blow
  15. UHD 4K perceived quality
  16. AJA Cion demo in NYC
  17. Samsung UHD and Mac Mini 2012?
  18. 4k MP4 (XAVC-S) format to Blu-ray
  19. 4K/UHD camera settings in PAL Countries
  20. ATEM 4K switcher workflow
  21. Is 4K really "more demanding" on still lenses ?
  22. How to run 444 Mbps file smoothly?
  23. Samsung 105" ultra hi def dispaly...worlds' largest
  24. Is there any 4K broadcast ready camera out (except F65)?
  25. Aaton Penelope Delta Test
  26. 2.35:1 (1920x817) Anamorphic Scope Aspect Ratio
  27. 300 mm PL mount math formula to 2/3" lens for preproduction
  28. Century Optics 4:3 to 16:9 Anamorphic.
  29. Blackmagic Design Production Switcher 4K
  30. Is 4K enough? Perhaps it's 8K
  31. RED EPIC drops to the floor!
  32. Need New 12k Forum for Sony's new 12k sensor cameras!
  33. Super Hi Vision Demo at the BBC
  34. Large Motorized Slider - several hundred lbs capacity, 8 ft travel, worth anything?
  35. Hands on review of the Sony F65
  36. Shooting in Raw
  37. Sony 8K CineAlta
  38. KineRAW-S8
  39. The Future is coming...
  40. Portland Lens test
  41. What camera is this?
  42. Project shot on Red MX with Panavision Lenses
  43. Need a 4K projection room in London
  44. HDCP implementation
  45. Need Advice for Project
  46. The need for 4K or why 2K is not enough for theatrical projections (Sony white paper)
  47. RED Scarlet fixed 8X at Sundance with Ted from RED.
  48. Chromakey by Cinema Camera
  49. red cam clips?
  50. Ikonoskop a-cam dII : interview with Göran Olson (IBC 2010)