- 300 mm PL mount math formula to 2/3" lens for preproduction
- Century Optics 4:3 to 16:9 Anamorphic.
- Blackmagic Design Production Switcher 4K
- Is 4K enough? Perhaps it's 8K
- RED EPIC drops to the floor!
- Need New 12k Forum for Sony's new 12k sensor cameras!
- Super Hi Vision Demo at the BBC
- Large Motorized Slider - several hundred lbs capacity, 8 ft travel, worth anything?
- Hands on review of the Sony F65
- Shooting in Raw
- Sony 8K CineAlta
- KineRAW-S8
- The Future is coming...
- Portland Lens test
- What camera is this?
- Red Cinema Carmera @ NAB 2011
- Project shot on Red MX with Panavision Lenses
- Need a 4K projection room in London
- HDCP implementation
- Need Advice for Project
- The need for 4K or why 2K is not enough for theatrical projections (Sony white paper)
- RED Scarlet fixed 8X at Sundance with Ted from RED.
- Chromakey by Cinema Camera
- red cam clips?
- Ikonoskop a-cam dII : interview with Göran Olson (IBC 2010)
- Making Alexa
- Grass Valley now in the 2K/4k NLE Business
- ARRI Alexa Event / Local Hero / Sept 28
- Digital cinema camera
- Suggest A Cinema Camera
- Arri Alexa--first impressions
- Selling custom LCD/EVF and DRIVE cables
- High frame rate (SlowMo) camera search
- P+s technik ims - nikon professional mount.
- what would i need to edit 4k footage?
- Camera from scratch
- Aaton 4k Digital Magazine
- Best way to transport RED footage for editing in Adobe CS4?
- RED Scarlet and Bomb EVF surprise hands-on!
- Cine lens manufacturers
- New 4K 60fps camera from Japan
- Larry Thorpe presented on UHD & 3D tonight
- A hole in the market: S35mm, RAW, affordable
- Need help making a DCP (in 3D!)
- New arri digital cinema cameras at ibc
- Need IMAX Shooting Info.
- Full-size 35mm sensor 1080p camera head
- Red one training
- A longer-term look at independent digital cinema distribution
- Digital Cinema Vs Super 16/35mm film