- Larry Thorpe presented on UHD & 3D tonight
- A hole in the market: S35mm, RAW, affordable
- Need help making a DCP (in 3D!)
- New arri digital cinema cameras at ibc
- Need IMAX Shooting Info.
- Full-size 35mm sensor 1080p camera head
- Red one training
- A longer-term look at independent digital cinema distribution
- Digital Cinema Vs Super 16/35mm film
- Public Enemies - F23 & EX1
- What happened to the "RED" Forum
- BSC Film & Digital Image Evaluation
- broadcast viewfinder and color bars
- A digital vision aquisition system for mobile vehicles
- Theaters converting to digital so why use film?
- Digitally Acquired Theatrical and High Profile Television Productions in 2008
- 2/3" and 1080--not good enough?
- Sony F35--first experience
- The impact of Digital Cinema Production & Technologies
- Believe it or not... "Blue" camera, 2K, FF, DNG
- New camera prospects, someone talk some sense to me.
- A-cam dII: Footage
- The BEST Format
- Si2k And Red Cohabitation
- Press Release: Panavision Acquires Phantom from Abel CineTech
- Green Hornet to be released in 4K digital!
- Ikonoskop A-cam dII, photos of
- Which companies are the major "players" for making Digital Cinema servers/players?
- Panavision Genesis
- Life on Set of a Feature Film
- Ikonoskop A-cam dII at IBC2008
- Could Canon Challenge RED?
- JVC Unveils 10 Megapixel Ultra High Definition Projector
- Actual Cinemascope Aspect Ratio
- Sony F23 Article at Studio Daily
- how to buy/get archive footage
- What do you use for backup of your 2k files?
- The Answer to all Format Questions
- ARRIRAW vs REDCODE RAW
- freelancing with Sony EX1
- New SSR For F23/Genesis
- What do you think this was shot with?
- Ikonoskop A-cam IIK
- ULTRA TV display at NAB - Ultra Hi Def downrezzed to 4K
- Digital Cinema Cameras Not There Yet
- Sony HDW-750P 2.4:1 Aspect guidelines
- SD to HD blow out
- 720p or 1080 for digital projection? What's the best choice?
- Ultra High Def TV on bbc.com
- Phantom V12 from Vision Research