- best way to shoot an interview?
- avoiding flicker when videoing a computer monitor
- Ruminations on increasing production values on a budget.
- What is considered - low light
- vertical smear
- Using a WD58 wide lens on a Sony VX1000
- Pick n' Pluck foam for cases AND FOAM DUST?!?!?!?
- Canon A-1 Digital
- Sending video signal 50'-100', resolution loss?
- why is it 1080i?
- WRC inside car Camera question
- How to Transfer from Beta SP (or the like) to FCP
- Want a Beta
- Batteries, which ones to get?
- (One camera, one mic) How to record "cutaways" but keep sound?
- 6 cameras, sync timecode, how?
- DV to 35mm transfer
- resampling
- Fisher FVD-C1
- Anniversary Video...
- Another question about 1 camera shooting.
- Mixing "true" 16:9 with "fake" 16:9
- Stills and Video
- What is the difference between EFP and ENG?
- What do they shoot on?
- DV tapes as file backup solution?
- challenging deinterlace ICs
- Question for DSR-390 owners
- Shooting 16:9
- JVC GR-DV4000 Vs GR-DV700
- Rubber piece - lens hood
- find a 4"x4" filter for cevl.com cheap matte box
- Please Help
- miniDV recording in a Pro Camcorder
- What's really going on with DV?
- DV filmmaking dvd's
- 5 camera screen test all at once
- questions about clapping slates
- what's this called? "Hitchcock Effect"
- progressive scan in theory
- Lens cleaning questions
- Why interlace? an interesting question...
- External monitoring (with consumer gear!)
- Noobie Questioner strikes again
- Need help picking...
- total newbie seeks help
- "a Film By Someone" means?
- Web Video Using Flash MX
- Again.. which are the native 16:9 cams?
- The art of framing.