View Full Version : Photon Management



  1. Chimera compatible softboxes for 650W setup?
  2. Open Source, Ultra-Bright LED Lumapad with WiFi & Arduino
  3. Help - Light won't turn on! How to fix/repair?
  4. Dental Surgery
  5. Anyone use these new circular Genaray LEDs?
  6. Briteks still a good option?
  7. Lishuai LED1000 Bi-Colour Panel
  8. Reflectors
  9. Shooting on a black background macro shots
  10. Need a spot light
  11. Can anyone descript different of Kino bulb and Osram StudioLine,TL950?
  12. Matching a location's soft white fluorescents
  13. Arri LoCaster LED Panel Advice
  14. Dichroic filters instead of CTB
  15. Single/Double scrim units to stops controversy
  16. Video of VL312 on camera light
  17. Light meter
  18. Experience with LED light "Beamlite 72"?
  19. Flo 2x55w Kino knock-offs
  20. lighting for interviews?
  21. Question about Tota Lights
  22. Anyone tried using automotive HID lights?
  23. Lux ratings and on camera lighting question...
  24. $15 LED Backlight
  25. Litepanels Patent
  26. Feedback on a Lightning kit option
  27. Newbie question comparing zylight is3 and 1x1 light panels
  28. FL-D filters. Any users?
  29. Big gels for softbox (rifa 66)
  30. looking for truly portable lighting?
  31. Shoe to light stand adapters?
  32. Lowel Blender or Ikan IB500 LEDs?
  33. CFL Linco Softbox Lights? Wedding video softbox solution?
  34. is this item sold?
  35. AbelCine Lighting Expo
  36. difference between diva lite 400 and 401
  37. Test of the 312AS and 8 power led lights
  38. Arri H-3 Hybrid kit
  39. Manfrotto ML840H LED Light
  40. Comer 1800 battery
  41. It's my bag baby! (it's a sandbag question)
  42. re:Converting conference room to studio
  43. Help me understand this particular light kit
  44. OB Light... with built-in microphone?
  45. Chinese "As ARRI" 1.2k HMI
  46. 3 point lighting kits - Digital Juice or Lowel
  47. LED MR16 Replacement
  48. LED's controlled by IPhone app- video use?
  49. 4000K-ish Color from Osram Studioline 3200 in Arri fixtures
  50. Should I use a color chart for post-production color-correcting?