- Tascam KST2000 Mixer
- Mini Jack to XLR adapters safe?
- Canon MA100 and Rode mic problem
- Best voice over gear out there ?
- Sony HDR-SR12 Line-In thru Hot Shoe?
- Using a cheap mic stand for a boom
- What About Using an Omni?
- What can do Location Recording AND Overdubs?
- Preferred way to record
- Iriver e100 record settings
- Electrical humming and hissing noise
- Are the new UHF wireless mics safe to use?
- Fixing Broken Zoom H2?
- Lectrosonics 100 Series or Sennheiser G2?
- Audio Technica PRO 44
- Mic suggestion
- Importing sound file from Windows Movie Maker
- Which audio software is being used besides the professional Protools and Nuendo?
- BEC mounting box
- All Nagra 4.2 ( Non "L") Have phantom?
- Accessories: Three items to add to my kit... Your thoughts?
- JuicedLink or 40dB pad?
- level ok, but sound distorted
- Portable V Studio?
- Stereo Mic(s) for wild sound recording
- Sony UWP and alternative Mics
- Recording a BIG brass band
- Ensuring AUDIO is in Synch
- The new H4n recorder
- Time to buy a portable audio recorder
- K6 Sennheiser
- Audio Codec for Broadcast
- What ever happened to the pin mic?
- does this adapter exist?
- audio advice for new filmmaker
- Adobe Audition Volume Envelopes
- Canon GL2: Juicedlink vs MixPre vs SD 302
- Edirol/Roland R-4 4 pin XLR adapter?
- Lapel mic: How do the pros use 'em?
- Extra software necessary to export from Avid to Protools LE?
- shotgun mic questions
- Edirol R-4 Pro Internal Drive
- Royalty free Music???
- Camera problem or Mic problem
- Adobe Soundbooth Help!
- Archiving Audio
- Phantom power mic or radio mike into a domestic DV camera
- Looking for decent lav with mini-jack connector.
- A bit of an urgent question about dealing with a noisy room
- connecting lapel mics...