View Full Version : Techniques for Independent Production


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  1. Artificial Depth of Field
  2. Video before film: which camera
  3. Proper clearance for highway shots
  4. Do you back up your footage?
  5. Over used shallow D.O.F.
  6. No budget short - can I use union actors?
  7. New XL2 user could use a bit of help
  8. Time to edit my doc...how?
  9. Script changes
  10. Music Copyright License????
  11. How to speed up recording minutes per day?
  12. "film like" slow mo
  13. American Actors marketable internationally
  14. Will a setting of 60 shutter on a PAL cam cause transfer problems?
  15. Is it bad form to cast actors not selected for a lead as extras on the same project?
  16. Filming a short. Prosumer Cam or Panasonic AJ-SDX900
  17. The better than film look
  18. The Real Issue Regarding "Film Look"
  19. How many pages can I shoot in a day?
  20. Fake Snow
  21. FX1 Movies Out?
  22. KODAK Display Manager System 3
  23. Cheap Tricks: White balance
  24. Step-by-step slow-motion tutorial - The 60i to 60p to 24p method
  25. De-interlacing workflow
  26. Pre-production for a first time director
  27. FCE filters versus plug-ins
  28. On a PC with Premiere 6. what filmlook soft is out there (anyone in Vancovuer?)
  29. field blend minimised on 50i>25p/24p to ntsc
  30. Inverted Video Solution
  31. Auditioning techniques for relaxing the interviewee
  32. Is there such thing as a cheap Mini35?
  33. Shoot first DOF Post?
  34. Recording Areoplanes flypast
  35. Online audition scheduling
  36. who's got 24 p.frames out of 60i, without blended fields every 2/3 frames ?
  37. Interviewing Children on video- Audio recording tips needed
  38. My Filters cooler then yours
  39. Pal > Ntsc?
  40. Amazon.com buys CustomFlix.com
  41. My $57 Dolly
  42. Cinema Tools...Frame Mode...w00t
  43. 24p for a commercial broadcast?
  44. Makeup
  45. Achieving film look in post
  46. Newbie needs help getting film-look with DVX100a
  47. 60i to 30p- dv natively 60i, need clarification
  48. shooting fight scenes
  49. Who gets the script?
  50. How much directing is too much?