Cale Rogers
October 6th, 2006, 09:29 AM
No one likes interlaced artifacts. Especially not when delivering to the web, podcast or other online formats. With 480i and 1080i sources I've used a lot of de-interlace check boxes during exports. But, some artifacts always remain, most noticeably when the video is paused. So, what's the best way to take interlaced video and master it to look like progressive video using the tools in FCS or AE? Or, is the best strategy to shoot progressive in the first place.
Thanks for your thoughts,
Thanks for your thoughts,