Re: 24p vs 24Pf
I had one of my videographers shoot a wedding in 24pf with his main camera and 24p with his other 2 cameras. What do you guy suggest I do? What are my options? I edit in Premier CS6.
So, the way I see it I can do the following. - Edit all the footage in a 60i timeline - Edit all the footage in a 24P timeline (it does not look that good on my screen in Premiere) - Convert the 24pf footage in After Effects to 24P? (How do I so this) And edit all the footage in a 24P timeline in Premiere Thanks for your help! |
Re: 24p vs 24Pf
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I will say this, though: HDMI relies too much on voodou and luck (that strange handshake between devices). HD-SDI just fricken' works. I've never, ever (EVER) had to unplug both ends of a connection and swap them with HD-SDI. It's funny how this is the first line of problem solving with HDMI. There's a flag inside the Canon HDMI and AVCHD stream that says 'I am progressive'. All I'll say is that they sure ain't got that right with AVCHD, and my experience is that they sure ain't got that reliable in a short space of time with HDMI. There's something about the Canon progressive Mojo that's never been quite right. |
Re: 24p vs 24Pf
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Since everything you have told me seems correct, I would replace the Apple cable. I have one, barely use it. I have had great success with the Monoprice thin HDMI 3' cable, and with PerfectPath cables, though the heads on the connectors are rather large, which is why I prefer the Monprice. I have shot hours without losing connection or cadence. It may also be possible that you have a defective Blade. Had to send mine in to get replaced once the touchscreen stopped working after the unit had been in operation for an hour or so. It would still record just fine, so I thankfully didn't lose anything, but I couldn't do anything else with it. |
Re: 24p vs 24Pf
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Re: 24p vs 24Pf
Premiere does not remove 3:2 pulldown, so if you shoot PF24 and deinterlace it's going to halve the resolution of the video.
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