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Old October 29th, 2014, 09:40 PM   #1
Join Date: May 2007
Location: Minneapolis, MN
Posts: 1,103
Overcast Production Day

Ok, here's a question for the masses:

I have a shoot tomorrow, some of which is outside. Content includes B-roll of a group of young people hanging-out together outdoors and having fun. Smiles, laughter, movement, engagement. You get the idea. Here's the thing *the weather man is saying complete overcast.

Originally, the look would have been the basic afternoon-backlit-lens-flares kind of thing. Now, I'm not worried (nature's giant softbox and all), but I was wondering if there were any "hot tips" for making things look a little less dreary when the weather throws you a loop.

I've heard of using silver reflectors to add contrast, polarizer filters, and about not shooting the sky. Maybe some negative fill would work well too? Any other advice out there?

This is in the C100 forum, as it's the camera we'll be using, but more just looking for general tips to include in my long-term bag of tricks. Thanks!
Nate Haustein PXW-FS5 / C100mkII / iMac i7 / FCPX
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Old October 30th, 2014, 12:11 AM   #2
New Boot
Join Date: Feb 2013
Location: North Hollywood, Ca.
Posts: 12
Re: Overcast Production Day

Use silver or white bounce cards, reflectors or flexfills to fill in the eye sockets. Overcast usually looks way better on camera than you think. This is also a secnario where CTB gelled low power lights can make a big difference. Even LED's might read under overcast conditions where they would be blown out in full daylight.
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Old October 30th, 2014, 05:43 AM   #3
Inner Circle
Join Date: Aug 2006
Location: Efland NC, USA
Posts: 2,309
Re: Overcast Production Day

As already mentioned high gain bounces work well.

Probably way too late for this one but a couple 575w HMIs can work wonders if some gear rental is an option.
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