Do Image Stabilization lenses make a difference?
Has anyone done any tests with any of the Canon IS lenses in terms of video yet? If so, what have you found? Are they worth the extra money, or does it not make a difference?
How loud is the IS noise with the on camera mic? |
Do Image Stabilization lenses make a difference?
I have found that the image stabilizer caused the image to judder when panning or tilting the camera. so I always turn it off, when shooting video.
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It's the only way to shoot handheld (literally).
I've been swamped but I'm going to be posting two pieces I just shot all handheld with IS. |
YES!!!!
I just completed a 4 day shoot using a variety of Canon lenses, including the 28-300. The footage would be unusable if it weren't for IS. Cheers, Sterling |
Thanks guys. I feel better about just buying the 24-105L IS !
Serling, you are talking about the big white 28-300L, right? Because of the weight/balance, is it possible to handhold that at any significant (100mm+?) length and get a steady image? Just curious as I've toyed with buying it. |
Yes, the big white lens is what I used, among other Canon IS lenses. They all tend to be big and heavy (most are white).
At 100mm, it should be manageable. If you're not going beyond 100mm, then get a smaller lens. It will probably be faster too. I also used an automatic monopod, which REALLY HELPS, unless you are running while shooting. Manfrotto by Bogen Imaging | 334B Automatic Monopod | 334B | B&H With a quick grip squeeze, you can instantly adjust the height up or down. I am 6'7" and at its highest setting, it was taller than me. You'll want to add a head to it. I liked the ball head, of which there are several available: Manfrotto by Bogen Imaging | 486RC2 Compact Ballhead | 486RC2 Cheers, Sterling |
Dylan you really can't go wrong with the 24-105. Really great IQ across the board and the IS really works for filmmaking. If it had manual aperture, it would be on my camera most of the time (except real low light situations or when I need more bokeh). As it is, I'm forced to use Nikon primes more than I'd like - a shame given how nicely the 24-105 matches with the 5DII.
If the lack of control that Canon delivered with this camera is all we ever get, then the 24-105mm is, unfortunately, also the last Canon lens I'll ever buy. |
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And of course when panning/tilting on a tripod it's completely useless. Steve |
So, on an IS lens you have the option of turning the IS on or off?
Also, I noticed a couple of the posts here are for Canon lenses. The IS is still helpful for Nikon lenses? So, if IS is helpful, then you should generally buy lenses that are IS or AIS, but generally not S? ...I take it IS or AIS is generally preferred for stills too, right? Thanks. Trying to sort out all this nomenclature is pretty challenging. |
When you shoot with a IS lens and the setup is on a tri-pod you should turn the IS to OFF
or you will see issues within your footage... |
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-S |
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Steve |
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2) VR is Nikon's term for Image Stabilising (short for Vibration Reduction). If you put a Nikon lens on a Canon body (using an adapter), VR won't work. Likewise, if you twist a Canon IS lens so the contacts are disconnected, you lose IS. 3) 'AIS' is a type of Nikon lens, just as 'L' is a type of Canon lens. AIS has nothing to do with Image Stabilising. There are no down sides to buying a lens with IS over an identical lens without IS (other than cost, and perhaps long-term reliability) because you can always turn off IS if you don't need it. For still photography, IS is almost always a benefit. There are few times you would need to turn it off (perhaps when you are panning to follow a moving object, or on a moving vehicle and are filming a subject on the same moving vehicle, or running low on battery power), but generally leaving it on is a benefit. For video work, if you *want* to introduce any pan or tilt (either by hand or on a tripod), the IS system gets in the way. First, as you begin to pan, the IS system tries to counteract this, then you reach the limit of the IS system and the picture tends to jump back suddenly. So professional shooting with a tripod, when you want really smooth pans and tilts, IS is not suitable. However, for most of my non-professional hand-held shooting, I prefer to use IS - the weird beginning and ends of pan shots are a preferable compromise to camera shake. Things to note when using IS: Battery life is reduced, and the 5D mic picks up the noise of the Image Stabilising system. Hope this helps. |
It definitely does, Thane. Thanks.
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