Preferred conversion filetypes at DVinfo.net
DV Info Net

Go Back   DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon EOS Full Frame for HD
Register FAQ Today's Posts Buyer's Guides

Canon EOS Full Frame for HD
All about using the Canon 1D X, 6D, 5D Mk. IV / Mk. III / Mk. II D-SLR for 4K and HD video recording.

Reply
 
Thread Tools Search this Thread
Old December 30th, 2009, 10:48 AM   #1
Major Player
 
Join Date: Feb 2008
Location: Lancashire UK
Posts: 496
Preferred conversion filetypes

So I finally upgraded to Final Cut Studio 3 with FCP7 and now the ProRes 422 LT is available to me. Nice.

I've previously been converting my 5D2 files to XDCAM HD 30fps 35Mb/s and fairly happy with the results. They stay clean and bright and sharp and the file size is similar to the original files off the cam. But I've always felt like most people using Mac/FCP have been using the ProRes 422 and I wasn't able to due to the overheads on my system (late 96 15" MacBookPro 233) so I've got the impression that the XDCAM HD is a poor relation…

BUT! I've converted a clip to ProRes 422LT now using Compressor and one using MPEG Streamclip and the end result isn't as good. The one from Compressor seems a bit more yellowy and the one from Streamclip seems a little duller than the original, both in colours and tones. Only the XDCAM version comes really close. The pics aren't cr*p by any means, just not as good.

Has anyone any cracking good workflows that they would recommend. How do people feel generally about XDCAM versus ProRes LT?

Also, while we're on the subject, has anyone got an 'easy setup' file for FCP7 for the ProRes LT settings so I can experiment more? I have been using a sequence but want to make sure ALL my seetings are optimal.

As you can tell, File formats etc, is something I struggle with a bit…

Thanks, people

Avey
Wayne Avanson is offline   Reply With Quote
Old January 4th, 2010, 10:11 AM   #2
Major Player
 
Join Date: Feb 2008
Location: Lancashire UK
Posts: 496
anyone help on this?
Wayne Avanson is offline   Reply With Quote
Old January 4th, 2010, 11:03 AM   #3
Inner Circle
 
Join Date: Feb 2009
Location: Norwich, Norfolk, UK
Posts: 3,531
We (my wife actually as she does the editing) have always used ProRes422 converted using MPEG Streamclip ever since we gave up on trying to edit the native files. Since we got FCS3.0 we have used ProRes 422 (LT). The videos look identical but the file sizes are smaller with the (LT) version. We have no complaints regarding picture quality or colour casts etc I have found it easier & quicker to batch up all the files required for a project in MPEG Streamclip rather than using Compressor.

Wayne, PM me & we can exchange some sample files that we can each process & then compare results.
Nigel Barker is offline   Reply With Quote
Old January 4th, 2010, 07:18 PM   #4
Regular Crew
 
Join Date: Aug 2009
Location: Portland, OR
Posts: 36
I think I know what you mean about colors being a tad duller when going into 422 in MPEG Streamclip. I'm not too bothered by this though, it's something that (from what I can tell) is easily adjustable in post. I'm a ProRes-Streamclip supporter for sure.
Sean Parker is offline   Reply With Quote
Old January 6th, 2010, 04:57 AM   #5
Major Player
 
Join Date: Feb 2008
Location: Lancashire UK
Posts: 496
Sean and Nigel,
I like the MPEG Streamclip batch processing too, and wondered what easy setups you use in FCP to edit in?

Cheers
Avey
Wayne Avanson is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon EOS Full Frame for HD


 



All times are GMT -6. The time now is 11:20 AM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network