No 16:9 guidelines at DVinfo.net

Go Back   DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon HDV and DV Camera Systems > Canon XL and GL Series DV Camcorders

Canon XL and GL Series DV Camcorders
Canon XL2 / XL1S / XL1 and GL2 / XM2 / GL1 / XM1.


Reply
 
Thread Tools Search this Thread
Old July 13th, 2004, 09:51 AM   #1
Major Player
 
Join Date: Jan 2003
Location: Detroit MI
Posts: 253
No 16:9 guidelines

I noticed that Canon removed the 16:9 guidelines on the XL2. I thought this was kind of a cool feature on the XL1s. At the very least they could have replaced them with 4:3 guidelines when shooting in 16:9 mode. I mean this is all software driven.

Alot of indie filmmakers like to frame for both when shooting.

Truthfully though I was hoping they would put in guidelines for other aspect ratios as well. Like 1.85:1 and 2.35:1 but I guess it's such a small thing to gripe about.
__________________
ScapeFilms.com | My Photography | IMDB Profile
Mike Tesh is offline   Reply With Quote
Old July 13th, 2004, 09:55 AM   #2
Obstreperous Rex
 
Join Date: Jan 2001
Location: San Marcos, TX
Posts: 26,900
Images: 513
Here's a list of other XL1 / XL1S features not retained in the XL2. Plus, some accessory compatibility info.
__________________
CH

Search DV Info Net | DV Info Net Sponsors | A Decade (+5) of DVi | ...Tuesday is Soylent Green Day!
Chris Hurd is offline   Reply With Quote
Old July 13th, 2004, 09:57 AM   #3
Major Player
 
Join Date: Jan 2003
Location: Detroit MI
Posts: 253
Thanks Chris. That's where I got the info from in the first place. Great job on all of that. :)
__________________
ScapeFilms.com | My Photography | IMDB Profile
Mike Tesh is offline   Reply With Quote
Old July 13th, 2004, 10:08 AM   #4
RED Code Chef
 
Join Date: Oct 2001
Location: Holland
Posts: 12,514
That's indeed a bit strange that the guides are missing. I always
liked to crop 4:3 to 16:9 and be able to recompose the shots.
There isn't a memory card slot for overlays either (like there is
on the GL2). Perhaps it is something we could add through the
SDK, although I doubt that.
__________________

Rob Lohman, visuar@iname.com
DV Info Wrangler & RED Code Chef

Join the DV Challenge | Lady X

Search DVinfo.net for quick answers | Buy from the best: DVinfo.net sponsors
Rob Lohman is offline   Reply With Quote
Old July 13th, 2004, 11:39 AM   #5
Wrangler
 
Join Date: Dec 2002
Location: Mays Landing, NJ
Posts: 11,542
But if you look at Chris's excellent page on the CCD block, I think it would make very little sense to shoot 4:3 and crop to 16:9 on this camera. You would be using much less of the CCD area, more like a 1/4" CCD.

Do the math for a 16:9 crop: 345,600 pixels in 4:3 mode less 25% that you crop off equals 259,200 (720x360 pixels). Why would you do this instead of using 460,800 pixels (960x480)? They clearly optimized this design for 16:9, bravo Canon! Seems like the XL-1, DVX-100a or PD-170 will make more sense if your main need is 4:3 or if you like to shoot cropped 16:9...
Boyd Ostroff is offline   Reply With Quote
Old July 13th, 2004, 11:41 AM   #6
RED Code Chef
 
Join Date: Oct 2001
Location: Holland
Posts: 12,514
Oh I totally agree with that, Boyd. It's more like I was wondering
why they removed it. Probably to encourage people to actually
shoot in 16:9, probably. Which is basically what this camera will
be best at.
__________________

Rob Lohman, visuar@iname.com
DV Info Wrangler & RED Code Chef

Join the DV Challenge | Lady X

Search DVinfo.net for quick answers | Buy from the best: DVinfo.net sponsors
Rob Lohman is offline   Reply With Quote
Old July 13th, 2004, 11:43 AM   #7
Major Player
 
Join Date: Jan 2003
Location: Detroit MI
Posts: 253
<<<-- Originally posted by Boyd Ostroff : But if you look at Chris's excellent page on the CCD block, I think it would make very little sense to shoot 4:3 and crop to 16:9 on this camera. You would be using much less of the CCD area, more like a 1/4" CCD.
-->>>

That's why they should do it in reverse on the XL2 use 4:3 guidelines when shooting in 16:9 mode as I said. That way while you're shooting 16:9 you can also frame for 4:3.
__________________
ScapeFilms.com | My Photography | IMDB Profile
Mike Tesh is offline   Reply With Quote
Old July 13th, 2004, 11:58 AM   #8
Wrangler
 
Join Date: Dec 2002
Location: Mays Landing, NJ
Posts: 11,542
Would it be too radical to letterbox the 16:9? ;-) Yeah, I know that some people still need real 4:3. But cropping 16:9 to 4:3 is still throwing away information, since your 16:9 as recorded to tape will be anamorphically squeezed down to 720 pixels wide. Similar to shooting cropped 16:9, you would be throwing away 25% of the horizontal resolution.
Boyd Ostroff is offline   Reply With Quote
Old July 13th, 2004, 01:39 PM   #9
Regular Crew
 
Join Date: Apr 2004
Location: Huntsville, Alabama
Posts: 44
The way the CCDs are described, there would be no difference (in terms of pixel count) on the XL2 between shooting 4:3 or shooting 16:9 and cropping it down to 4:3. IF the MiniDV format can store the full 16:9 resolution (I'm not sure it can store that high), then theoretically, you should get exactly the same results. To me, that would suggest that the best thing for a filmmaker to do would be to shoot 16:9 all the time and crop that down to get his 4:3 shot. That would give you the ultimate flexibility if you decide you wanted something ever so slightly off from what you originally intended (slight left/right misframing).

As for losing resolution, the 720x480 resolution of the "cropped" 4:3 mode is exactly the resolution supported by MPEG-2 DVD (NTSC, anyway) encoding, and the resolution defined as "480p" in the digital world. So if you're shooting for a 4:3 target, this is probably all you'll ever need. That's why Canon can claim that it's 16:9 native but doesn't lose any resolution for 4:3, either. In fact, the 16:9 is probably going to have to be downsampled for any final TV broadcast or DVD/Video master.

I give many kudos to Canon for this one.
__________________
Russell Newquist
http://www.russellnewquist.net/
Russell Newquist is offline   Reply With Quote
Old July 13th, 2004, 01:44 PM   #10
Regular Crew
 
Join Date: Apr 2004
Location: Huntsville, Alabama
Posts: 44
Ok, just looked it up. MiniDV only supports 720x480 anyway, so if you're going to finalize something in 4:3 you'd want to shoot that way, NOT in 16:9 mode, to get the best resolution out of the XL2. But that means that the XL2, even though it's cropping its CCDs, is still spitting out full MiniDV resolution, and that the 16:9 mode is actually going to have to be downsampled from the CCDs.

Oversampling is still good - you'll theoretically get a better picture out of that than you would by just sampling exactly what you're recording - but you should still get a pretty darn good picture in their 4:3 mode - theoretically, a much better one than the XL1s.

Anybody got any frame grabs yet? I'm dying to see them.
__________________
Russell Newquist
http://www.russellnewquist.net/
Russell Newquist is offline   Reply With Quote
Old July 13th, 2004, 01:46 PM   #11
RED Code Chef
 
Join Date: Oct 2001
Location: Holland
Posts: 12,514
ALL footage on DV and DVD is stored at 720x480. So the XL2's
16:9 960x480 is sampled back to 720x480 (as Russell indicates
as well).

You would be far better of to just shoot in 4:3 with the XL2 in
this case. You will get a better resolution (than shooting 16:9
and then downconverting to 1.0 pixel aspect ratio) but you will
also get a longer focal range. That might be an "issue" ofcourse.
__________________

Rob Lohman, visuar@iname.com
DV Info Wrangler & RED Code Chef

Join the DV Challenge | Lady X

Search DVinfo.net for quick answers | Buy from the best: DVinfo.net sponsors
Rob Lohman is offline   Reply With Quote
Old July 13th, 2004, 01:52 PM   #12
New Boot
 
Join Date: Dec 2003
Location: Vietnam
Posts: 23
If you look into Chris's "Exploring the XL2 Menu System" article and under "Display Setup" there is a switch for TV screen. Could that be for 4:3 guidelines or something else?
Peter A. Smith is offline   Reply With Quote
Old July 13th, 2004, 02:01 PM   #13
Regular Crew
 
Join Date: Jun 2004
Location: New York, NY
Posts: 56
Forgive my lack of technical terminology, but wouldn't it make more sense to shoot 16:9 and "transform" it down to a letterboxed 4:3? Much like if you were to, in Adobe Photoshop, make 2 images; One being 960x480 and the other being 720x480. The first being the imported 16:9 footage, then in post shrinking the width with locked ratio down to 720, keeping it centered hence letterboxing 4:3?

Is what I just described what was previously called "downsampling"?
Holly Miller is offline   Reply With Quote
Old July 13th, 2004, 02:04 PM   #14
RED Code Chef
 
Join Date: Oct 2001
Location: Holland
Posts: 12,514
Holly: I've just explained in my post above how you would
actually loose resolution this way. Think about it! You have a
wider image that gets squashed into a square image. Then
you need to unsquash this square image back to a wide image
to then chop off the edges! This will lower and soften your
4:3 image!

Peter: I'm pretty sure that function controls either how much
information you seen on the monitor out (most probable) or
how much information you see on the viewfinder. As Chris
clearly stated in the XL2 Watchdog, the 16:9 guidelins do not
exist on the XL2.
__________________

Rob Lohman, visuar@iname.com
DV Info Wrangler & RED Code Chef

Join the DV Challenge | Lady X

Search DVinfo.net for quick answers | Buy from the best: DVinfo.net sponsors
Rob Lohman is offline   Reply With Quote
Old July 13th, 2004, 02:22 PM   #15
Regular Crew
 
Join Date: Jun 2004
Location: New York, NY
Posts: 56
Rob: I was thinking in terms of... squashing the image down and in.

Like so:
Captured image:
http://www.kmdstudios.com/holly/169capture.jpg

Then, to output 16:9 to a 4:3 screen... shrinking it down into a 4:3 ratio so that the result is like this:
http://www.kmdstudios.com/holly/169in43.jpg

I do not get how once it is squeezed into a 4:3 composition that it would then have to be unsqueezed this way?
Holly Miller is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

Professional Video
(800) 833-4801
Portland, OR

B&H Photo Video
(866) 521-7381
New York, NY

Z.G.C.
(973) 335-4460
Mountain Lakes, NJ

Abel Cine Tech
(888) 700-4416
N.Y. NY & L.A. CA

Precision Camera
(800) 677-1023
Austin, TX

DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Canon EOS / MXF / AVCHD / HDV / DV Camera Systems > Canon HDV and DV Camera Systems > Canon XL and GL Series DV Camcorders

Thread Tools Search this Thread
Search this Thread:

Advanced Search

 



Google
 

All times are GMT -6. The time now is 11:16 PM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2017 The Digital Video Information Network