is Neo Scene even needed in Premiere Pro CS5? - Page 2 at

Go Back   DV Info Net > Cross-Platform Post Production Solutions > CineForm Software Showcase

CineForm Software Showcase
Cross platform digital intermediates for independent filmmakers.

Thread Tools Search this Thread
Old January 14th, 2011, 01:28 AM   #16
Regular Crew
Join Date: Jan 2006
Location: Mexico City
Posts: 181
Sorry for bringing this thread back from the dead, but I'd like to point out a couple of advantages that neoscene might bring to the table for a CS5 user...

A) For miscelaneous clips such as 3D animated sequences, compositing, motion tracking and animated titles. I know many would argue you could achieve that faster by roundtripping with dynamic link, but sometimes it can save you a lot of time to render that tough composite just once and not every single time your client finds another change that takes 5 seconds to edit and 3 hours to re-render. Sometimes I need to finish a video in multiple languages, so I'll just render an intermediate without titles and add titles and voiceover on top of that for multiple languages. That way I can render very fast when the client decides he wants to change a word in some title.

B) Mastering and Archival. You'll regret it down the line when your client wants a slightly modified or updated version and you find the only copy you kept of the edited program is either the original project for which you need to rebuild the complete original folder structure, or an h.264 mp4.

I'll also take this opportunity to kindly request from the cineform team to add alpha channel support to neoscene. I know this is supposed to be a high end feature reserved for neo4k, but let's face it, you can just encode a second grayscale clip as it is, and it would just make our lives easier to just be able to embed it in a single clip and use it freely for titles and compositing elements.
Luis de la Cerda is offline   Reply With Quote
Old January 22nd, 2011, 04:12 AM   #17
Regular Crew
Join Date: Jul 2004
Location: Berlin, Germany
Posts: 169
I was always sceptical of Cineform NeoScene, since I've first bought it for CS4. There were lots of promises "its the best" and a lot of people wrote here and in other forums "what is good enough for Hollywood should be good enough for you". Might that be true for most kind of "normal" footage I did see some kind of artefacts and bluring at my delicate and filigran night shots (eg. fireworks) when reimporting the cineform.avi into the Premiere timeline. But that was in earlier times and I did not use it correctly.

I then invested weeks and months to find the best image quality with AME for direct H.264 encoding for Blu-ray and an intermediate avi with Lagarith lossless codec for deinterlacing and downscaling to 720p and 576i.
But, AME gave me lots of sleepless nights because of its H.264 encoding (it stays not in the correct bitrate ranges and quality of color gradients is awful, massive bending in night skys and underwater shots).

So, I come to the point: I now use NeoScene Cineform.avi instead of Lagarith in Microsoft AVI for intermediate files in 1080/50i which I then encode in x264 for Blu-ray or deinterlacing/downscaling outside of Premiere. I now use Premiere for editing and slight color/contrast changes only and export the timeline as Cineform intermediate for final rendering.

The image quality of the Cineform.avi rendered with x264 is so much better in direct comparison to a Blu-ray H.264 encoding from AME, even with best settings. That's why I need an intermediate file and Cineform.avis are fast rendered and great to use for intermediates.
Markus Klatt is offline   Reply With Quote
Old January 22nd, 2011, 09:39 AM   #18
Regular Crew
Join Date: Sep 2010
Location: Pasco Washington
Posts: 128
Ive been working with CS5 since it came out and have done a couple wedding projects since then. One wedding I worked with the straight .mov files WITHOUT a CUDA was okay. The second project I worked with .mov files WITH a hacked CUDA card.....quite a bit better. And the third project, I worked with transcoded files with Neoscene V5 and with the hacked CUDA card and it was phenominal!!! Multicam editing with 3 Canon 7d's was much faster without lagging. Working in After effects was also alot smoother to scrub the timeline than with the native files. (though I wish AE CS5 had a mercury engine too) I also liked that previewing my clips in Bridge was a ton more effecient as they were alot faster to preview. With the .mov files took FOREVER as I had to wait for bridge to load them up for some reason. So in a nutshell, I have cbosen to combine the best of both worlds and use Neoscene with CS5
Kelly Huffaker is offline   Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

(800) 223-2500
New York, NY

B&H Photo Video
(866) 521-7381
New York, NY

Texas Media Systems
(512) 440-1400
Austin, TX

Precision Camera
(800) 677-1023
Austin, TX

(800) 323-2325
Mineola, NY

DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Cross-Platform Post Production Solutions > CineForm Software Showcase

Thread Tools Search this Thread
Search this Thread:

Advanced Search


All times are GMT -6. The time now is 01:36 PM.

DV Info Net -- Real Names, Real People, Real Info!
1998-2018 The Digital Video Information Network