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August 7th, 2010, 12:09 PM
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#1 |
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Inner Circle
Join Date: Aug 2006
Location: Poland
Posts: 4,086
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nanoFlash loop-through monitoring
Just a quick question:
- does the output from HD-SDII or HDMI out depend on current nanoFlash settings, or is it always exactly the same as that from the camera (i.e. on the nanoFlash input)?
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Sony PXW-FS7 | DaVinci Resolve Studio; Magix Vegas Pro; i7-5960X CPU; 64 GB RAM; 2x GTX 1080 8GB GPU; Decklink 4K Extreme 12G; 4x 3TB WD Black in RAID 0; 1TB M.2 NVMe cache drive |
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August 7th, 2010, 12:33 PM
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#2 |
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Inner Circle
Join Date: Dec 2002
Location: Augusta Georgia
Posts: 5,421
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Dear Piotr,
It depends on one Menu Setting: Video|E to E Direct. If this is checked, then the input is feed to the output, without any processing, and with an extemely low latency. If this is unchecked, then the HDMI or HD-SDI signal can be enhanced by adding analog audio and timecode, if appropriate, depending on menu settings. This takes some extra processing time to insert these signals into the output stream. Other processing has to do with converting PSF to Progressive. One would normally want to record PSF as true progressive, thus the Record PSF>Prog menu option. But, one may want to preserve PSF so a monitor can display the signal, thus the reason for the E to E Direct option. Also, there is a menu option for HDMI for Full Color or Legal Color.
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Dan Keaton Augusta Georgia |
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August 7th, 2010, 12:52 PM
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#3 |
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Inner Circle
Join Date: Aug 2006
Location: Poland
Posts: 4,086
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Thanks Dan - this is what I suspected, by wanted to know for sure.
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Sony PXW-FS7 | DaVinci Resolve Studio; Magix Vegas Pro; i7-5960X CPU; 64 GB RAM; 2x GTX 1080 8GB GPU; Decklink 4K Extreme 12G; 4x 3TB WD Black in RAID 0; 1TB M.2 NVMe cache drive |
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