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Bryan Aycock March 10th, 2008 04:02 PM

Anamorphic Sequence Through Compressor
 
Should I export my regular ANAMORPHIC sequence through compressor as 4:3, then set up my project in DVD Studio Pro as anamorphic? Compressor has a 16:9 setting, but wouldn't this burn the letterboxing into the video permanently as 4:3?

William Hohauser March 10th, 2008 07:09 PM

Quote:

Originally Posted by Bryan Aycock (Post 840227)
Should I export my regular ANAMORPHIC sequence through compressor as 4:3, then set up my project in DVD Studio Pro as anamorphic? Compressor has a 16:9 setting, but wouldn't this burn the letterboxing into the video permanently as 4:3?

Depending on the version of Compressor you are using:

If it's Compressor 3 (in FCS 2) don't do anything except pick the MPEG setting you want. Compressor will put the anamorphic tag in the file automatically.

Earlier versions you should pick the MPEG codec that indicates 16:9. This will not force a letterboxed version of your video in 4:3. The only way to do that is to import your 16:9 sequence into a 4:3 sequence. FCP will automatically letterbox the sequence on the timeline.

Bryan Aycock March 11th, 2008 10:07 AM

Thanks
 
So how do I find out what versions of the software I have?

Martin Pauly March 11th, 2008 01:50 PM

Bryan,

The version number can be viewed by choosing Compressor > About Compressor from the main menu.

If you have Final Cut Studio 2, you should have version 3 of compressor. Otherwise, it's probably a version 2.

- Martin

Bryan Aycock March 11th, 2008 08:06 PM

so...
 
So the encoder settings in DVD Studio Pro (16:9, bitrate, etc) don't apply...PERIOD...to externally converted MPEG 2 streams?

Martin Pauly March 12th, 2008 11:48 AM

I think you can still change the flags for the aspect ratio in DVD Studio Pro, but the actual encoding of the video remains unchanged. So bitrate and other quality settings, whether the video is letterboxed/resized/cropped etc. are not touched by DVD Studio Pro if you encode an .m2v file externally through Compressor.

- Martin


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