Three camera event video technique. Suggestions? - Page 3 at DVinfo.net
DV Info Net

Go Back   DV Info Net > Special Interest Areas > Documentary Techniques
Register FAQ Today's Posts Buyer's Guides

Documentary Techniques
-- Discuss issues facing documentary production.

Reply
 
Thread Tools Search this Thread
Old May 30th, 2010, 09:58 PM   #31
Major Player
 
Join Date: Mar 2004
Location: Pacifica, CA
Posts: 348
I agree with my neighbor, Mr. Alvarez. For drama/narrative Shaun's observations hold true, but for live events, i-mag, etc., the fact that the same face is 'flipped' usually presents no problems. (Especially if in either 'flip' the face is facing toward the center of the screen. Generally, if you 'cross-shoot';the audience left camera shooting the audience right action on stage and vice versa. I find framing much more crucial, going from a medium shot to another medium shot on a different camera is a bigger no-no. With 3 cameras the decision as to whether to put cameras all from center to one side or splitting them audience-left and audience-right is more a decision about coverage issues for me.

Personally, most important is having you and your other camera operators either be able to communicate during the event via clear-com/pl/fb/intercom system or talk ahead of time about the nature of the show. Something like "if the major interest is stage right then audience right camera cross-shoots in CU and audience left camera loosens to a 2-3 shot. If it then moves to center, camA follows..."
Eric Lagerlof is offline   Reply With Quote
Old May 31st, 2010, 02:35 PM   #32
Inner Circle
 
Join Date: Sep 2002
Location: Vancouver, British Columbia (formerly Winnipeg, Manitoba) Canada
Posts: 4,088
In full agreement with Richard and Eric. And yes, the "too close framing" between intercut shots IS quite visually disturbing to me and oftimes overshadows any issues I may have surrounding continuity editing and Crossing The Line.

My favourite line comes from Richard and it is one I use a lot when teaching - One must know the rules before being allowed to "break" them. I think a lot of the visual language of film has been detrimentally lost by filmmakers that have broken the rules indiscriminantly for no reason other than they didn't put enough planning into shooting and decided in edit that "no one will notice" as opposed to "let's break that rule in order to create tension and unease". This is a natural effect of the democratization of filmmaking - at one point the only people making films were HIGHLY skilled technicians and artists who apprenticed and learned after schooling taught them "the rules". Now anyone can make a "film" seen by millions thanks to social networking and the YouTubes and Vimeos of the world. It's your call as to which is a greater boon to society and the movie watching population as a whole.
__________________
Shaun C. Roemich Road Dog Media - Vancouver, BC - Videographer - Webcaster
www.roaddogmedia.ca Blog: http://roaddogmedia.wordpress.com/
Shaun Roemich is offline   Reply
Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

B&H Photo Video
(866) 521-7381
New York, NY USA

Scan Computers Int. Ltd.
+44 0871-472-4747
Bolton, Lancashire UK


DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Special Interest Areas > Documentary Techniques


 



All times are GMT -6. The time now is 08:54 PM.


DV Info Net -- Real Names, Real People, Real Info!
1998-2024 The Digital Video Information Network