adobe pp2 with 24p hdv? at DVinfo.net

Greg Corke · April 25th, 2006, 02:21 PM

Hi guys,

Just wondering if anyone here could give me some advice. I have a recent project shot on the hd100 24p hdv. I would like to edit natively and I believe the latest version of premiere can do this. I was just wondering if anyone here has tried this and could advise me of the relative merits and misgivings of doing so. I'd like to avoid any intermediate if I can and native sounds like a possible solution. However, I'm not sure what kind of set up I'm going to need in order to do this effectively. The project is mostly straight edits with some magic bullet thrown in i.e. no heavy cgi stuff. Although, I suppose even magic bullet effects are still pretty heavy going when editing natively but not sure.

Thanks in advance, Greg C.

David Parks · April 27th, 2006, 08:07 AM

http://pro.jvc.com/prof/attributes/i...&feature_id=11

Here is a link to a pdf doc (fourth link from the top) on a 24p workflow with Premiere 2.0. Although I haven't had specific hand on with Premiere, the lack of FCP and Avid 24p support for the HD 100 has required me to look elsewhere. The only drawback I can tell with the pp2 workflow is the it you can't output to 24p. The timeline is a 29.97 base with a 2:3 2:3 pulldown. So if you're going out 29.97 then I think you're okay.

Cheers

Greg Corke · April 29th, 2006, 11:28 AM

Thanks for the input David I'm going to have a look at it now.

All the best Greg.

David Parks · April 29th, 2006, 02:33 PM

Sure Greg. Let us know how it works for you. FYI..Stephen Noe has been talking about Avid Liquid 7.1 as a 24p workflow. It is in the JVC HD 100 forum, you should check it out.

April 25th, 2006, 02:21 PM	#1
Greg Corke Major Player Join Date: Jul 2005 Location: London, UK Posts: 245	adobe pp2 with 24p hdv? Hi guys, Just wondering if anyone here could give me some advice. I have a recent project shot on the hd100 24p hdv. I would like to edit natively and I believe the latest version of premiere can do this. I was just wondering if anyone here has tried this and could advise me of the relative merits and misgivings of doing so. I'd like to avoid any intermediate if I can and native sounds like a possible solution. However, I'm not sure what kind of set up I'm going to need in order to do this effectively. The project is mostly straight edits with some magic bullet thrown in i.e. no heavy cgi stuff. Although, I suppose even magic bullet effects are still pretty heavy going when editing natively but not sure. Thanks in advance, Greg C.

April 27th, 2006, 08:07 AM	#2
David Parks Major Player Join Date: Feb 2006 Location: Houston Posts: 789	pp2 24p to 29.97 workflow http://pro.jvc.com/prof/attributes/i...&feature_id=11 Here is a link to a pdf doc (fourth link from the top) on a 24p workflow with Premiere 2.0. Although I haven't had specific hand on with Premiere, the lack of FCP and Avid 24p support for the HD 100 has required me to look elsewhere. The only drawback I can tell with the pp2 workflow is the it you can't output to 24p. The timeline is a 29.97 base with a 2:3 2:3 pulldown. So if you're going out 29.97 then I think you're okay. Cheers __________________ David Parks: DP/Editor: Jacobs Aerospace at NASA Johnson Space Center https://www.youtube.com/user/JacobsESCG

April 29th, 2006, 11:28 AM	#3
Greg Corke Major Player Join Date: Jul 2005 Location: London, UK Posts: 245	Thanks Thanks for the input David I'm going to have a look at it now. All the best Greg.

April 29th, 2006, 02:33 PM	#4
David Parks Major Player Join Date: Feb 2006 Location: Houston Posts: 789	Sure Greg. Let us know how it works for you. FYI..Stephen Noe has been talking about Avid Liquid 7.1 as a 24p workflow. It is in the JVC HD 100 forum, you should check it out. __________________ David Parks: DP/Editor: Jacobs Aerospace at NASA Johnson Space Center https://www.youtube.com/user/JacobsESCG