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Drew Cusick October 15th, 2008 04:11 PM

Quick question on MpegStreamclip workflow
 
Hello all,

I just have a pretty simple question about using Mpeg Streamclip. I capture the m2t file using DVHSCap and when trying to transcode it to a quicktime file in Mpeg Streamclip, it tells me that I need to purchase the Quicktime Mpeg2 codec before it can do anything.

Does this mpeg2 codec come with Quicktime Pro? Or is this an add-on that is necessary to purchase? Because I dont want to buy both quicktime pro and the mpeg2 codec if its already included in the "pro" package.

Thanks,

Drew

Troy Teuscher October 15th, 2008 06:57 PM

Which editing software are you using
 
Drew,
What software are you using for editing.

Drew Cusick October 15th, 2008 07:50 PM

At the moment I am using Premiere CS3. Which I despise.

Tim Dashwood October 15th, 2008 10:51 PM

If you had FCP the mpeg2 component would have been automatically installed. I'm surprised Premiere on a mac doesn't also use it.

Have you tried the demo of ClipWrap with Premiere? It requires the HDV component which may not be installed with Premiere either.

William Hohauser October 15th, 2008 10:52 PM

Investigate using ClipWrap instead.

Gary Nattrass October 16th, 2008 02:16 AM

Yes clipwrap is an easier way of getting .m2t into .mov files and there is no quality loss:

ClipWrap

David Allen Smith October 16th, 2008 12:11 PM

Quote:

Originally Posted by Gary Nattrass (Post 951909)
Yes clipwrap is an easier way of getting .m2t into .mov files and there is no quality loss:

ClipWrap






And much faster!!!!

Drew Cusick October 16th, 2008 12:36 PM

Does Clipwrap actually change the m2t files into frame-based codec files? Or does it keep its original GOP structure?

Tim Dashwood October 16th, 2008 02:40 PM

Quote:

Originally Posted by Drew Cusick (Post 952078)
Does Clipwrap actually change the m2t files into frame-based codec files? Or does it keep its original GOP structure?

It keeps it as original mpeg2 using the Quicktime HDV wrapper. I believe the only transcoding done is to the audio to uncompress it into 48Khz/16bit AIFF.
This is why it is so much faster than transcoding with Mpegstreamclip. There is no tax on the system processor. It only takes about as long as it would take for the system to copy the files from one hard drive to another.

Drew Cusick October 16th, 2008 03:55 PM

So does that mean you would be essentially editing in native HDV? I thought that was advised against?

Tim Dashwood October 16th, 2008 05:44 PM

Quote:

Originally Posted by Drew Cusick (Post 952167)
So does that mean you would be essentially editing in native HDV? I thought that was advised against?

From a speedy workflow/space saving perspective it is preferable to edit in the native format and set just your rendering codec (FCP6 only) to ProRes422. In FCP5 you may save some net time by transcoding everything up-front and using an intermediate codec but I wouldn't bother if you have a fast machine.

When the edit is locked you can render/transcode & master just the final sequence into any codec you would like, or simply print back to tape in native HDV.

Drew Cusick October 16th, 2008 06:25 PM

Thanks for explaining everything guys. I think that just about answers my questions.


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