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JVC GY-HD Series Camera Systems
GY-HD 100 & 200 series ProHD HDV camcorders & decks.


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Old February 16th, 2006, 10:54 PM   #16
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Join Date: Jan 2006
Location: Minnesota (USA)
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Aren't weddings "real work?"

I'm looking forward to doing weddings, and doing them well. The challenge and appeal to me is capturing a positive event that is of paramount importance in the lives of those involved, and doing it justice artistically.

It would be nice if there was more profit potential in weddings though. Frankly, I think that couples significantly underestimate the lasting value of a truly wll produced video of one of the biggest events of their lives, otherwise there would already be a huge demand for high definition in that arena.
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Old February 16th, 2006, 11:38 PM   #17
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Quote:
Originally Posted by Steve Mullen
Given the mumber of folks who have posted who are "clearly doing pro work" -- I'm curious if any of you used Filmout Mode?
Hey Steve, what "Filmout mode" do you refer to? The Gamma preset?

--
Paolo
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Old February 17th, 2006, 04:39 AM   #18
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Quote:
Originally Posted by Steve Mullen
Given the mumber of folks who have posted who are "clearly doing pro work" -- I'm curious if any of you used Filmout Mode?
Yes, I am interested in this point as well.

Perhaps Andrew Young or Stephen L Noe have some imput on this?

John
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Old February 17th, 2006, 06:19 AM   #19
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A&E "Inked" is shot with the jvc camera.
just my 2 cents.
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Old February 17th, 2006, 08:08 AM   #20
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WireIMAGE

Hi Guys,

One of my goals at Sundance was to find people shooting with the HD100. There were quite a few. Here is an interview I did with Justin Kahn one of the founders of WireIMAGE. I asked him why they chose the HD100 and how it was working for them.

http://www.independentfilm.com/festi...m-cofoun.shtml
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Old February 17th, 2006, 08:25 AM   #21
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Thanks for that Corey, thats the kind of thing we all like to see. Makes me feel good about owning one..l loved the remark about the varicams and f9oo :)

Andy.

Oh and welcome.
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DP: "same place as the music" -Andrew Lesnie-
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Old February 17th, 2006, 08:26 AM   #22
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Quote:
Originally Posted by Corey Boutilier
Hi Guys,

One of my goals at Sundance was to find people shooting with the HD100. There were quite a few. Here is an interview I did with Justin Kahn one of the founders of WireIMAGE. I asked him why they chose the HD100 and how it was working for them.

http://www.independentfilm.com/festi...m-cofoun.shtml
I watched the interview and honestly, I can say the exact same things in regard to the HD-100. Beautiful image that doesn't break the bank and a camera that takes you back to your roots. I feel the same excitement about it as Justin because a camera as good as the HD-100 was out of my reach until NAB 2005.

all the best,
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