Feature Film with HD100
 

Has anyone done a feature film with the HD100 (w or w/o mini35) and if so, how did it come out as far as quality? Also, if it was transferred to film, and if there were any problems? I am about to shoot a feature using HD100 and the Mini35, but I am still not sure it will transfer well to film, i.e. the quality.

Thanks in advance.

Tim Dashwood finished shooting a feature, "Bull," a couple of months ago with HD100.

I am sure he will contribute some info on the do's and don'ts.

Here are a couple of past discussions:
http://www.dvinfo.net/conf/showthrea...=transfer+film
http://www.dvinfo.net/conf/showthrea...=transfer+film

It has been said before, and it is my opinion, that one should talk with the post house before beginning shooting. I think it is important to get a workflow clearly laid out ahead of time to avoid many unnecessary obstacles.

Things may change as you go along, but good advance planning, including discussions with the people who will color correct and transfer to film, will set a solid foundation, saving dollars and time down the road.

I think this is talked about in the first thread I reference above.

From reading some of the other posts, it seems like you shoot to get the best footage and let the people who do transfer to film do their job at it later, if needed.