My First "Real Mic" for the DVX100- Need Advice at

Go Back   DV Info Net > Panasonic P2HD / AVCCAM / AVCHD / DV Camera Systems > Panasonic DVX / DVC Assistant

Panasonic DVX / DVC Assistant
The 4K DVX200 plus previous Panasonic Pro Line cams: DVX100A, DVC60, DVC30.

Thread Tools Search this Thread
Old October 31st, 2003, 09:21 AM   #1
New Boot
Join Date: Oct 2003
Location: Tallahassee, Florida
Posts: 15
My First "Real Mic" for the DVX100- Need Advice

I have a shiny-new DVX100 and trying hard to improve my skills and results. Many thanks to all those who have shared advice on these pages!

I am looking to improve my audio results. After spending some hours on the "Now Hear This" forum, I think the concensus is that I need to buy some "real" mics, and get away from using the on-board mics. As I am just getting started, I am on a budget and would like to buy one or 2 mics that would be good (if not optimal) in a variety of situations. I do the usual wedding & event stuff, sports, school plays, and also some educational stuff. Output to all is DVD (or VHS if the customer insists).

Trying to summarize the Now Hear This advice, I have to get:
1. a wireless kit (Sennheiser e100 or e500 seem well thought of)
2. a decent shotgun mic (Audio Tecnica AT835b has many fans).

Can any fellow DVX users opine on this plan? And for the AT835b, do I need to get the AT shock mount (which one? AT 8415 or AT 8410A?) for good results? AT also sells a XLR cable (1.5ft; XLRM to XLRF rt angle) -- is this what I need?

Thanks in advance for any advice for this beginner! Jeff
Jeff Swain is offline   Reply With Quote
Old October 31st, 2003, 10:30 AM   #2
Major Player
Join Date: Jun 2003
Location: San Antonio, TX
Posts: 331
Hi Jeff,
You are asking a question that I have been trying to ask for some time. I am looking at the following:

-Sennheiser Me66 (seems to be the most popular). Also read this link about shotgun mics. Lots of good info:

-Sony 44b lav mics. This seems to be the best overall dollar wise and feature wise.

You want to get the ambient sound by using the shotgun on your DVX and dialogue by putting the lavs on your subjects.

What does everyone else have to say?
Nick Medrano is offline   Reply With Quote
Old November 4th, 2003, 04:34 PM   #3
DVX User
Join Date: May 2003
Location: Vancouver
Posts: 281
I would use the shotgun to pick up everything, put it on both channels one low one high to make sure you never clip.

If you have lav's and shotguns, it would already create a small mess on your camera so you would probally unload it off the camera anyways, so see if you can con someone into being your "sound guy" with a 4 channel mixer and get the shotgun and lavs into that recording onto minidisks and use the excellent onboard mics on the dvx as backup/ambient.
Jarred Land is offline   Reply With Quote
Old November 4th, 2003, 04:53 PM   #4
Regular Crew
Join Date: Jan 2003
Location: Forest Grove, OR
Posts: 122
One advantage to running everything off the camera is that you can avoid the potentially poor(er) audio circuitry in the camera and send your good mics' signals to a better preamp/recorder combo (i.e. like the mini Mackie mixers, and maybe a nice tape or CDR or minidisk deck).

You can still get extra audio off the in-camera mics, and use that audio in post to help line up and sync the externally recorded audio. In one case on my last short, the in-camera audio was a bit better for the scene than the external mic audio, due to poor mic placement ... [looks innocent]
Bruce A. Christenson is offline   Reply With Quote
Old November 4th, 2003, 05:25 PM   #5
DVX User
Join Date: May 2003
Location: Vancouver
Posts: 281
funny bruce, I worked on a feature last month with 2 dvx's, one taking the boom and one using internal; and just as you experienced at the end of the production the sound engineer picked the in camera mics quite a few times. We all know the DVX has arguablly the best on camera mic/circuit in the class but it still shocked me a little.

Thats why its good to have backup I imagine, as booming sound is an art in itself and if the director doesnt care or misses a bad pickup it's pretty hard to do a pickup just for sound sometimes.
Jarred Land is offline   Reply

DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses...

(800) 223-2500
New York, NY

B&H Photo Video
(866) 521-7381
New York, NY

Texas Media Systems
(512) 440-1400
Austin, TX

Precision Camera
(800) 677-1023
Austin, TX

(800) 323-2325
Mineola, NY

DV Info Net also encourages you to support local businesses and buy from an authorized dealer in your neighborhood.
  You are here: DV Info Net > Panasonic P2HD / AVCCAM / AVCHD / DV Camera Systems > Panasonic DVX / DVC Assistant

Thread Tools Search this Thread
Search this Thread:

Advanced Search



All times are GMT -6. The time now is 06:39 PM.

DV Info Net -- Real Names, Real People, Real Info!
1998-2018 The Digital Video Information Network