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Old June 9th, 2009, 10:56 PM  
Golden - opening scene - VFX heavy micro budget
Dean Yurke Dean Yurke is offline June 9th, 2009, 10:56 PM

Hi Dvinfo,


First post, helloooo. This is the opening scene to an independent feature I'm making. Just about to start casting. Sending out breakdown notices to sfcasting and breakdownservices in the next few weeks under the SAG ultra low-budget agreement.

This was shot with the HVX200 - brevis 35mm adapter and an 18mm Nikon Prime. Visual effects created with discreete logics inferno. Uses Kessler Crane and indislider.

if you love it then you can subscribe to my newsletter email me dean@ilm.com

Cheers everyone,

Dean Yurke

Dean Yurke
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Old August 8th, 2009, 03:16 AM   #16
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Originally Posted by Sverrir Fridriksson View Post
I love how it starts slowly and gradually gets more exciting. Even with the effects becoming heavier by the second, they never seem to become fake. Great work.
Thank you Sverrir! Much appreciated. I'm glad you stayed with it as it does start slow then builds in scale.

I'm storyboarding some more sequences at the moment and hope to shoot them in the coming weeks.

Thanks again,

Dean : )
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Old August 26th, 2009, 09:43 PM   #17
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Just got back from LA. Casting is going unbelievably well. Business plan is done. Storyboarding in full swing.
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Old August 29th, 2009, 05:35 AM   #18
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Yes, this intrigued me. You're off to a good start! And like the others have said; it doesn't have a micro/low-budget feel to it.
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Old September 10th, 2009, 12:44 PM   #19
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Yes, this intrigued me. You're off to a good start! And like the others have said; it doesn't have a micro/low-budget feel to it.
Thanks Henrik,

That's the plan. There's a lot of tools out there these days to plus the look of low budget features but as you know, being a writer, it's still all about the story and the characters.

I think making the opening really paid off since it's helped me to attract actors that are well above my budget so I'm really looking forward to seeing what happens next.

Thanks again.
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Old September 22nd, 2009, 12:33 PM   #20
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QUESTION:

I'm designing the ghosts at the moment and am looking for great examples of subtle ghosts. I like the idea of seeing something but only briefly and at very intense moments.

Mostly the ghosts will be invisible, just their effect on the environment, mist, leaves, shadows but now and again during lightning flashes or in the shadows I'd like to show something freaky.

Any suggestions?

Thanks

Dean.
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Old September 30th, 2009, 01:46 AM   #21
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Casting is almost complete, just one more role to confirm. Woohooo.
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Old October 13th, 2009, 08:08 PM   #22
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Hi Dean,

It looks fantastic. I looked at your profile on your website, and it says that you were first recognized for a student film you've done. As a student filmmaker in Vancouver I'm very interested in these kinds of things.

What's the film called? Is there any way I can see it?

Thanks,

Peter
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Old October 14th, 2009, 01:36 AM   #23
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Hi Dean,

It looks fantastic. I looked at your profile on your website, and it says that you were first recognized for a student film you've done. As a student filmmaker in Vancouver I'm very interested in these kinds of things.

What's the film called? Is there any way I can see it?

Thanks,

Peter
The film was called CODE and it was a fun scifi virus movie. It's not online since it was made a long time ago before computers... well not that long ago. If I ever upload it I'll let you know, send me your email to info@goldenthemovie.com
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Old October 25th, 2009, 12:56 AM   #24
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http://www.goldenthemovie.com/images/eye3d_mon.1.jpg

In 3D - Grab your anaglyph glasses
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Old October 28th, 2009, 01:57 PM   #25
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I'm a visual effects artist myself who is also taking a stab at movie making. This piece is a huge inspiration to me. Excellent work.
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Old November 18th, 2009, 12:48 AM   #26
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I'm a visual effects artist myself who is also taking a stab at movie making. This piece is a huge inspiration to me. Excellent work.
Thank you Nathan!

I love my day job but there's nothing more satisfying than enhancing your own work with visual effects. We're really blessed to have the technology at our fingertips to produce original imagery that 10 years ago would have been impossible for the independent filmmaker.

Thanks again

Dean.
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