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June 8th, 2006, 02:54 AM
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#16 |
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Trustee
Join Date: Dec 2003
Location: Malvern UK
Posts: 1,931
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GOP structure is the same as the other Sony HDV's.
However the chance of anyone editing in the native format is unlikely. Remember that Discovery has said that XDCAM HD is accepted for unrestricted acquisition. In editing most will transcode to a different format. Sticking to the MPEG format for editing is silly, especially for broadcast, not least because of all the uneven GOPs that are created. |
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June 8th, 2006, 11:46 AM
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#17 |
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Inner Circle
Join Date: Dec 2005
Location: Bracknell, Berkshire, UK
Posts: 4,957
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Until I work out my exact requirements I am using a Canon 19x6.7 half inch SD lens. It's the VCL719BX, the lens supplied with the HDC-X310 HD camera.
Shooting a test chart I am getting better than 700lph, even in the corners and CA is not objectionable. The half inch lens is certainly sharper than a Fujinon 17x7 SD broadcast 2/3 lens with adapter. I'm still undecided as whether to get a 1/2 inch or 2/3 inch HD lens, if at all. I may just rent in as required.
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Alister Chapman, Film-Maker/Stormchaser http://www.xdcam-user.com/alisters-blog/ My XDCAM site and blog. http://www.hurricane-rig.com |
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June 21st, 2006, 12:35 PM
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#18 |
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Regular Crew
Join Date: Jan 2006
Posts: 40
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Why are there such restrictions for HD when home-made looking stuff like American Chopper, Monster Garage, Dirty Jobs etc... make it to the air?
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June 21st, 2006, 12:40 PM
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#19 |
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Contributor
Join Date: Jan 2003
Location: Kansas City, MO
Posts: 4,449
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Because, it's not how good something is--it's how well connected the producer is.
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June 22nd, 2006, 01:06 PM
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#20 |
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Rextilleon
Join Date: Apr 2002
Location: Pleasantville, NY
Posts: 520
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Beyond that, those are reall gritty reality shows and HD isn't as important.
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Red #97 |
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