How to extract the best quality from cineframe footage?
I have to edit a video that has been shooted with two cameras, a Z1 and an EX1. The EX1 was set to 1080/25p and the Z1 had the Cineframe mode on. I will edit it on a Final Cut Pro station.
My question is: how to handle the Z1 footage to give it maximum sharpness and make the color artifacts invisible? Here's what I have found after plaing with FCP for a while: - The Flicker filter gives away with the color artifacts, but it makes the Y channel a bit soft (obiovusly). - If I put the Z1 clips in a 25p sequence, FCP will deinterlace them automatically and there's no option (at least I don't know) to force both fields on. I don't know how the cineframe mode works, if it just stores the same information for both fields, then deinterlacing will be a good option. Anyone knows how could I work on the YCbCr channels separately and then put them together again? This is to put different filters in the Y channel and the CbCr channels. The different composition modes that FCP provides cannot do this (I think). |
The Cineframe mode deinterlaces prior to compression, and does some kind of interpolation. The footage should be treated as progressive. You may try some 4:2:0 artefact removal, but you should not deinterlace.
I don't know how to do this in FCP though. I use Cineform's HDLink for capture, which automatically renders Cineframe footage as progressive. -Steve |
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