Fading Shots with the FX1 at DVinfo.net

Dana Salsbury · March 30th, 2007, 09:01 PM

I did my first SDE last night using just one FX1, linear style. The shots were all carefully selected, but it would've looked much more elegant if I could've faded out and in from black, or did something interesting. Can the FX1 do that? Any tricks I could learn?

Chris Barcellos · March 30th, 2007, 09:08 PM

Yes, you can set up fades with shot transition, by varying the lens aperature between wide open or exposure to fully closed. You could also do it by hand closing the iris. This presumes you are using manual setting.

Chris Barcellos · April 2nd, 2007, 09:28 PM

Follow up. I was just messing with my FX1, and was going to add something to one of the assign. Low and behold, assigned to button 3 is "Fader" This is available to fade in from Black and out to black. Take a look at those assigned buttons in the manual and you should be able to do a lot of things to fit your needs.

Dana Salsbury · April 4th, 2007, 02:56 PM

You rock, Chris!

Richard Iredale · April 13th, 2007, 04:40 PM

I would suggest you just capture as much video as you can, then do the artistic effects on the PC. That way you have the ability to go back and change the effect(s) any way you want.

I can't count how many times I've done a dissolve from one scene to another, then gone back and changed the dissolve time, then gone back and changed it again until it just feels right.

Tom Hardwick · April 17th, 2007, 09:30 AM

Richard's right - spend your time getting the exposure, lighting and composure spot on when you shoot, and worry about filtration, slo-mo and after effects in the peace and quiet of your editing studio. That which has been done up front is mighty difficult to undo later.

The one up front filter that's hard to mimic in post is the polarisor.

tom.

March 30th, 2007, 09:01 PM	#1
Dana Salsbury Major Player Join Date: Oct 2006 Location: Phoenix, AZ Posts: 859	Fading Shots with the FX1 I did my first SDE last night using just one FX1, linear style. The shots were all carefully selected, but it would've looked much more elegant if I could've faded out and in from black, or did something interesting. Can the FX1 do that? Any tricks I could learn? __________________ www.LegacyHDV.com Weddings \| Corporate \| HMC150s \| FCPX \| Encore \| Lion

March 30th, 2007, 09:08 PM	#2
Chris Barcellos Inner Circle Join Date: Nov 2005 Location: Elk Grove CA Posts: 6,838	Yes, you can set up fades with shot transition, by varying the lens aperature between wide open or exposure to fully closed. You could also do it by hand closing the iris. This presumes you are using manual setting. __________________ Chris J. Barcellos

April 2nd, 2007, 09:28 PM	#3
Chris Barcellos Inner Circle Join Date: Nov 2005 Location: Elk Grove CA Posts: 6,838	Follow up. I was just messing with my FX1, and was going to add something to one of the assign. Low and behold, assigned to button 3 is "Fader" This is available to fade in from Black and out to black. Take a look at those assigned buttons in the manual and you should be able to do a lot of things to fit your needs. __________________ Chris J. Barcellos

April 4th, 2007, 02:56 PM	#4
Dana Salsbury Major Player Join Date: Oct 2006 Location: Phoenix, AZ Posts: 859	You rock, Chris! __________________ www.LegacyHDV.com Weddings \| Corporate \| HMC150s \| FCPX \| Encore \| Lion

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April 13th, 2007, 04:40 PM	#5
Richard Iredale Regular Crew Join Date: Dec 2003 Location: Portland, OR Posts: 67	I would suggest you just capture as much video as you can, then do the artistic effects on the PC. That way you have the ability to go back and change the effect(s) any way you want. I can't count how many times I've done a dissolve from one scene to another, then gone back and changed the dissolve time, then gone back and changed it again until it just feels right.

April 17th, 2007, 09:30 AM	#6
Tom Hardwick Inner Circle Join Date: Mar 2003 Location: Billericay, England UK Posts: 4,711	Richard's right - spend your time getting the exposure, lighting and composure spot on when you shoot, and worry about filtration, slo-mo and after effects in the peace and quiet of your editing studio. That which has been done up front is mighty difficult to undo later. The one up front filter that's hard to mimic in post is the polarisor. tom.