Why 13:9, 14:9, 15:9 aspect markers?
I can understand having 4:3 for SD framing, but why the others?
Also, why no other widescreen markers like 2.4:1? |
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The technique has generally been accepted to work extremely well, and although the techniques been adopted in a lot of countries, AFAIK was originally a BBC initiative - http://www.informotion.co.uk/deliver...creen_book.pdf |
thanks for the info. I learned something.
How about the lack of 2.4:1? I'd think with support for 24p for film, that 2.4:1 would be nice for filmmakers to have |
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Absolutely right, Brent! I am missing CinemaScope markers (2.35 : 1) as well and I can't think of any plausible reason - except overlooking - why Sony left out that very aspect ratio. It probably is the most common wide screen ratio used today, and even the Canon A1 has it.
Another feature for a coming firmware update. |
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