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Sony XDCAM EX Pro Handhelds
Sony PMW-300, PXW-X200, PXW-X180 (back to EX3 & EX1) recording to SxS flash memory.


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Old March 8th, 2008, 10:48 PM   #16
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i know pd170 is best for low light, the ex1 is even better and cleaner at low light, but my posted demo focus on a different issu, the issu about CCD when pointing at direct light bulbs! the ex1 capture the entire frame perfect! the lights are there, the shadow is there, and the dark is there too, in other word, in my demo, there are many different lightings, and no storng light is taiking over.
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Old March 8th, 2008, 10:52 PM   #17
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Quote:
Originally Posted by Sean Seah View Post
Hi. How do u manage the lack of memory issue? I think the SxS last a tag to short right? U have a on site laptop to do the transfer I guess?
yes I got 2 8gig, and 1 16gig and a macbook pro
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Old March 9th, 2008, 12:22 PM   #18
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wow nice setup!
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Old March 9th, 2008, 12:44 PM   #19
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[QUOTE=Joel
I added +10 sharpness IN compressor
THATíS IT!

The EX-1 rocks!
Enjoy[/QUOTE]

where do you fins the sharpness parameter, do you mean sharpen edge (0-100) under the filters tab of compressor settings?
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Old March 9th, 2008, 05:53 PM   #20
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Yes sir! And that little trick a learned from one the Thread's at this forum, I forgot the name. I can spend some time searching it if needed, that Thread is a good to know for a ex1 user
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Old March 9th, 2008, 06:01 PM   #21
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I found the thread!

http://www.dvinfo.net/conf/showthrea...d=1#post816158

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herre is a 'cut' fom the above thread about adding sharpnes:

...Right... last week I got to play with an EX-1 and on Saturday I worked on a way to make downconverted footage look as good as a high end DSR-450 with a lens that cost $18k.

The SD sequence in FCP needed to be set to progressive by selecting the Sequence Properties and setting field dominance to 'none' in the first tab. In the second tab, set everything to render in extended 10 bit, best quality rescale (in other words, turn everything up to '11'). Finally, apply a 10% sharpen to the whole sequence (assuming you've turned detail off whilst shooting). That adds the zing and makes the built in lens look like a $12000 lens when downconverted.

Just dumping EX-1 footage into a raw DV timeline was distinctly 'bleah'. The above method sat well with DSR-450 material that was being sent to me. I'm sold on it.
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