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#1 |
Major Player
Join Date: Nov 2001
Location: Illinois
Posts: 888
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looking at 16:9
Maybe someone can clear a few things up.
1. If you tape at 4:3 what does it look like on a widescreen? 2. Windscreen on my normal TV has the black on top and bottom. Like with a DVD widescreen movie. If you use a video camera on 16:9 is that what it would look like on a normal TV? 3. If you were going to shoot a movie for the big screen is that shot in 16:9? 4. If you use a anamorphic lens does then give a true 16:9? |
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#2 |
RED Code Chef
Join Date: Oct 2001
Location: Holland
Posts: 12,514
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3. film is usually shot in 1.85:1 (nearly 16:9) or 2.35:1
4. yes How it will look on a widescreen or normal 4:3 TV depends on the medium you use to display the movie with. If you are going for a 16:9 DVD release (where everything is properly encoded/ authored as 16:9 anamorphic) and you have your DVD player set up correctly the footage will be letterboxed (by the DVD player) for a 4:3 TV and send as is to a 16:9 widescreen TV. If you put 4:3 material on a DVD disc it will always be send as is. What a widescreen TV will do with it depends on the settings, normally it should stretch it a bit to fill the 16:9 area, but you can choose to pillarbox it (black sides) and all sort of things inbetween.
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#3 |
Major Player
Join Date: Nov 2001
Location: Illinois
Posts: 888
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I was just thinking too that if you can shoot in 4:3 then later if you can make 16:9 in post you would have both. If the 16:9 can be done as good in post.
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#4 |
Major Player
Join Date: Nov 2001
Location: Illinois
Posts: 888
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<<<-- Originally posted by Rob Lohman : 3. film is usually shot in 1.85:1 (nearly 16:9) or 2.35:1
4. yes How it will look on a widescreen or normal 4:3 TV depends on the medium you use to display the movie with. If you are going for a 16:9 DVD release (where everything is properly encoded/ authored as 16:9 anamorphic) and you have your DVD player set up correctly the footage will be letterboxed (by the DVD player) for a 4:3 TV and send as is to a 16:9 widescreen TV. If you put 4:3 material on a DVD disc it will always be send as is. What a widescreen TV will do with it depends on the settings, normally it should stretch it a bit to fill the 16:9 area, but you can choose to pillarbox it (black sides) and all sort of things inbetween. -->>> So you can adjust the widescreen TV's then? I guess I should make a trip in Best Buy or somewhere and check out the new TV's. My 10 year old 19'' Sony is getting alittle outdated. But it still works good!!! |
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#5 |
Wrangler
Join Date: Dec 2002
Location: Mays Landing, NJ
Posts: 11,787
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Every widescreen TV I've seen has a number of different modes, as Rob mentions. My Sony LCD has:
FULL - stretches the video to the full screen width, regardless of its type NORMAL - displays 4:3 as pillarboxed and 16:9 as full screen LETTERBOX - zooms in on letterboxed 16:9 such that it fills the whole screen ZOOM - Chops off the top and bottom of 4:3 video to make it 16:9 WIDE ZOOM - Not clear on this one... So basically, if you don't like the way something looks when viewing on a widescreen monitor you just cycle through these options using a botton on your remote and pick the one that gives the best results. It's interesting that there's a signal which can be imbedded in the video that tells a widescreen TV to switch to anamorphic mode for 16:9 content, but there is no 4:3 signal which can tell it to switch to pillarbox mode for 4:3. Some of the new sets have "smart stretch" modes where it stretches the left and right edges more than the center as another way to show 4:3 on the full screen. |
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#6 |
Major Player
Join Date: Nov 2001
Location: Illinois
Posts: 888
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Thanks for the info.
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#7 |
RED Code Chef
Join Date: Oct 2001
Location: Holland
Posts: 12,514
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<<<-- Originally posted by Bob Zimmerman : I was just thinking too that if you can shoot in 4:3 then later if you can make 16:9 in post you would have both. If the 16:9 can be done as good in post. -->>>
Depending on the program (and the quality of the algorithms it uses), yes, you can do 16:9 anamorphic widescreen in post. Just as long as you keep in mind that a true 16:9 camera or anamorphic attachment for your camera woud yield a higher resolution than the post method or in camera 16:9 on a non-true 16:9 camera.
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