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Jeff Miller September 3rd, 2006 04:07 PM

Presenting a 4:3 project in 16:9
 
I'm thinking of cutting a documentary that was taped largely in 4:3 as 16:9. I don't want to "stretch" the 4:3 into 16:9 either, I need to figure out how to just have black borders on the side. The reasons are:

-It's a movie making-of doco, now the viewer won't have to take the tv out of 16:9 if they just watched the movie.
-What little 16:9 footage I shot can be presented as shot, without changing modes.
-I hate the way some TV sets convert 4:3 into 16:9. It's hard to explain, but in short sometimes pans look like they are "pinned to the screen" in places.
-I hate the way some TV sets put up grey or white bars on the sides when they are in 4:3 mode.

Does any of that make sense? I haven't messed with Premeire Pro in 16:9 much so I need to do some experimenting to see if it will work. Just wondering if anyone has done something like this already. Thanks for any thoughts...!

Chris Harris September 3rd, 2006 06:06 PM

Just create a 16:9 project in Premiere and import all your 4:3 footage. Edit, export as a 16:9 file after you're done, and that's it. But beware, if you go this route, if you watch it on a 4:3 TV, you will have borders on all 4 sides of the screen, making your picture smaller. So you'd have to make a version for 16:9 TV's and one for 4:3 TV's.

Jeff Miller September 5th, 2006 10:20 PM

Hi Chris, thanks for the reply!
I tested this out with the XL2 today and something funny happened.
I took the camera outside and did three shots in 16:9, paused to switch to 4:3, then did the same three shots. This got captured into a new 16:9 project. All the 4:3 footage wound up stretched to fit 16:9, and a bit smooshed vertically.

To verify the smoosh, I put the XL2 on a desk with a CD in front of it, and captured ten seconds of it in 4:3 then 16:9, both by 1394 straight from the cam. I totally expected that cd to be smooshed in the 4:3 shot, but after rendering it was fine, and even had letterboxed sides like you mention!

I think something during the capture confused Premiere into thinking 4:3 was 16:9. A big difference in the tests was that the tape was captured, then the cd at 16:9, then the cd at 4:3. That's a lot of data, if anyone knows what happened I'd love to hear it.

**Mods, this went from a theory question to a Premiere question, feel free to move it if you like


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