Dan Bridges |
April 29th, 2009 02:00 PM |
I normally don't like the sounds of enclosed headphones. I've found I can live with these. The problem I faced was the low headphone output levels with the GS400's I use. With other enclosed headphones I tried, I couldn't get enough sensitivity or isolation from the sounds I was recording to clearly hear problems. I did not want to incorporate a headphone amp. I already carry too many extra things. I don't mix on site. I mix multiple sources in post. I find these headphones uncoloured enough to evaluate what I'm recording and whether wind, hum or other environmental noise pickup is a problem. The N/R definitely helps to increase isolation. The headphones are comfortable too. I don't want to stick my head in a vice.
Back in the early eighties I recorded a lot of classical music performances, mainly for FM broadcast, first using a modified Revox A77, 15"/s, 1/2 track reel-to-reel tape recorder, later to a Sony PCM-F1/SL-F1E combo. Then I preferred to use open-backed electrostatics: first Stax SR-X Mk. 3 with an SRD-6 adapter (and a power amp to drive it!), later Stax Lambda Pros with a SRM-1 Pro headphone driver. I tried Beyer Dynamic DT 48 enclosed headphones, but I didn't need the isolation then & they didn't sound anywhere near as uncoloured as the electrostatics.
Today, I'm happy with the ATs. The recording situation is different and is less demanding. Having the ears of a 54 y.o. may have something to do with it.
Dan.
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