Hi everyone! I can't thank you folks enough for the help! I really appreciate it. See inline replies below:

Excellent information everyone! Thanks for sharing your pro knowledge and experience with a noob like me, I greatly appreciate it.

Like you say, I should test AGC the next time. I always shoot manual audio, I have gotten it into my head that auto audio sucks, but in this case, it might be for the best. :)

Looks like AGC is my best option! I have not tested AGC in an "arena" situation... I will do this the next time I shoot.

Doh! Sorry. Crowd noises. So, like people cheering/screaming/yelling/jeering... Last time, I was asked to produce a b-roll type of video, shot from along the sidelines, with a focus on the fans.

Great points. I am not sure why I did not try this. I will definitely test AGC the next time I shoot a game. :)

You hit the nail on the head! Sorry that I was not more clear in my original post.

Thanks again everyone!!!! I owe ya'll a beer or two. :)

Have an excellent day!

Cheers,
Micky

I've been using my NTG 1 with the FX1 to record Rugby League games and no distortion.

Hi Gan! Thanks for the help! I appreciate it. :)

Just curious, do you have AGC turned on while shooting audience b-roll?

Thanks!

Cheers,
Micky

Just for kicks did you try the camera's built in mics? I know some people may find this revolting, but in a stadium it might work pretty well. Also it doesn't cost anything to try.

Indeed. This is one of the VERY few applications where the built-in microphones are likely adequate.

Been there done that. I think Kevin is spot on. A criticism of built-in mics is how they are so "omni" and pickup EVERYTHING which, in this case, is EXACTLY what you want. Flip on the AGC switch and let those stereo mics do their job. You'll get some of that nice roarrrrrrr ambience in the audio. Then, if you don't like the texture, think about a different mic.

If you want to "talk to an individual in all that noise, you'll need the opposite (i.e. you want to eliminate the surrounding noise. There, you'll want a Shure SM58 (not an SM57), Evolution or Electrovoice "Dynamic" mic. A dynamic mic is unpowered and has a smaller "reach" (e.g. will pick up your subject well but the surrounding, not so well). Unfortunately, the A1 puts the switch between XLR and Built-in mics in the menu. Learn it so you can switch back and forth quickly. I'd switch to manual audio for that too.

Also, get some ears on and listen to the world through your camera.

Wow, great ideas!! I am so glad I asked for help. Many thanks to everyone for the help!

Wow, I did not even think of that... I don't think I have used the built-in mic once since I have had my hands on the XHA1. I will definitely try this. :)

I can't wait to give this a try!!!! :)

Excellent tips! Thanks so much!

Sorry if silly question: The mics you mention, are these hand-hold only, or could I fit them into a shock mount and connect it to the A1?

Definitely. I have a nice pair of Sony studio headphones... I always wear them while I shoot (even if I look a little geeky).

Actually, that was the sad thing the last time I was at the football stadium -- I could hear the audio sounding like crap while I was shooting... I knew things were bad, but I was not sure what I could about it; Of course, I was shooting manual audio, and adjusting the audio levels was of no help (it just made the bad-sounding audio quieter).

Again, I can't wait to try out all of these tips/idea. Thanks a billion everyone!!!! :)

Have an excellent day!

Cheers
Micky

They are handheld and that's what you want. You have to get the mic close to the source. A shotgun on the camera won't do that. Proper use of a handheld mic is to pretend it's an ice cream cone and you hold it as if you are about to lick it.... up at lip level (not the chin) and less than a tongue length away.

Some "hand-held" mics also have a body shape (straight) that's easier to mount in a camera's shockmount. Some have the classic hand-held tapered body. This would be one more factor you would need to decide when picking a hand-held type mic in the future. Do you want it for hand-held almost all the time, or for those situations in very loud environments when a low-sensitivity dynamic mic works well on-camera for ambient-sound-only-tasks, do you want to also easily mount it there?

Using ANY microphone you can mount ON the camera will be inadequate for something like an interview or stand-up report in a football stadium. (At least for the AmEnglish definition of "football", or the BrEnglish definition of "World Cup") :-) The camera is almost ALWAYS too far away from the source for adequate mic "reach", especially in a noisy ambient like Autzen.

Good advice from everyone.

I'd just like to add -


GO DUCKS!!!!

+1 :)

Yes thanks all for the pro tips and advice! This forum is the best on the net 'cause of all the cool folks on here.

Also, thanks for the clarification on the hand-held mic usage (Richard, Jay, Les)... I will definitely add this mic to my backpack of equipment and tools. :)

Thanks a billion!

Cheers,
Micky

Hi all,

Just as an update, the SM58 just saved my butt for capturing audio!

Oh, and auto audio levels (which kicks-in AGC on the A1) also did the trick!

I shot with my shotgun mic for XLR input #1, and plugged the SM58 into input #2.

The shotgun mic actually did worse than the SM58 for the really loud/screaming fan situations.

Anyway, thanks all for all of the pro help! Ya'll saved my day!

Now, if only there was a device I could buy to help me become a better videographer!!! Oh well, I guess practice makes perfect. :D

Cheers,
Micky